Overview
Bloodletting & Miraculous Cures welcomes readers into a world where the most mundane events can quickly become life or death. By following four young medical students and physicians – Ming, Fitz, Sri and Chen – this debut collection from 2006 Scotiabank Giller Prize winner Vincent Lam is a riveting, eye-opening account of what it means to be a doctor. Deftly navigating his way through 12 interwoven short stories, the author explores the characters’ relationships with each other, their patients, and their careers. Lam draws on his own experience as an emergency room physician and shares an insider’s perspective on the fears, frustrations, and responsibilities linked with one of society’s most highly regarded occupations.“I wanted to write about the way in which a person changes as they become a physician — how their world view shifts, and how they become a slightly different version of themselves in the process of becoming a doctor,” Lam explains. “I wanted to write about the reality that doing good and trying to help others is not simple. It is ethically complicated and sometimes involves a reality that can only be expressed by telling a story.”
In the book’s first story, “How to Get into Medical School, Part 1,” students Ming and Fitz wrestle with their opposing personalities and study techniques, while coming to terms with a growing emotional connection that elicits disapproval from Ming’s traditional Chinese-Canadian parents. Lam’s exceptional talent for describing scenarios with great precision is showcased in “Take All of Murphy,” when Ming, Chen, and Sri find themselves at a moral crossroads while dissecting a cadaver. Throughout the book, readers are treated to the physicians’ internal thoughts and the mental drama involved with treating patients, including Fitz’s struggle with self-doubt in “Code Clock” and Chen’s boredom and exhaustion in “Before Light.”
From delivering babies to evacuating patients and dealing with deadly viruses, the four primary characters in Bloodletting & Miraculous Cures are made thoroughly human by Lam’s insightful detail, realistic dialogue, and expert storytelling. The medical world is naturally filled with drama, but it’s the author’s ability to give equal weight to the smaller moments that really brings this book to life.
Editorials
Christine Montross
In this collection, Lam deftly illuminates the line physician and patient must walk together—hope and health on one side, cynicism and sickness on the other. We see in cold light what is at risk when the balance slips too far in either direction. In the end, Bloodletting & Miraculous Cures asks how much of death's burden should rest on the shoulders of those we ask to fight against it.—The Washington Post
Evan Hughes
Lam is better when he emphasizes the inherent strength of his material. He is himself an emergency physician and thus brings to mind Somerset Maugham, William Carlos Williams and Chekhov—the first a former medical student and the others doctors for the whole of their literary careers. But Lam's work fits better among that of nonfiction writers like Jerome Groopman, Sherwin Nuland and Atul Gawande. He writes what is sometimes called "documentary fiction," providing an insider's view of his field, replete with the stark juxtapositions—notably the privilege of the treater with the powerlessness of the treated—and the moral hazards that characterize the profession. Some of the best stories in Bloodletting & Miraculous Cures read like journalistic dispatches from the medical front lines, with careful psychological characterization added. As such, Lam's book represents a promising demonstration of fiction's unique power: to bring the news that stays news, in Ezra Pound's formulation, and to allow the reader to see through the eyes of those who experience events firsthand.—The New York Times
Publishers Weekly
Lam's Giller Prize-winning debut, a veritable cornucopia of interesting characters, voices and effects, presents a formidable burden for a single reader. Through the four main sleep-deprived characters, we wind our way through med school and beyond. Lane sculpts a precise and colorful aural identity for every character, regardless of their significance. A master of capturing nuances in vocal personality, he ranges from a strong, stiff Chinese-American accent to a lisping, muttering paranoid schizophrenic in a heartbeat, and nothing seems forced. At one point, a doctor speaking to a patient in "German-accented Hindi influenced English he learned in Bombay" seems like an narrator's bar bet or a challenge from the author. But Lane pulls it off perfectly, with grace and pluck. Occasionally, Lane's conjuring is amped up with unnecessary special effects (a hollow distortion when dialogue is heard over the phone) that would be distracting if both the author and the reader were anything less than solid and riveting. The combination of Lane and Lam is a winning one, a performance not to be missed. Simultaneous release with the Weinstein Books hardcover (Reviews, June 25). (Sept.)
Copyright 2007 Reed Business InformationLibrary Journal
This collection of linked stories revolves around four young multicultural Canadian medical students-Fitz, Ming, Chen, and Sri-as they attempt to balance their lives with the taxing demands of classes and residency in a highly charged emergency room. They deal with patients' ailments, from hiccups to a fatal heart attack in a massage parlor; in this case, the doctor, when talking with the family, has to find a "balance of professing humanity without invading privacy." Some stories ramble along with little action-one features the romance between Fitz and Ming, their breakup, and her eventual marriage to Doctor Chen-but most are action packed and insightful, including a psychological thriller about a patient who believes he has been poisoned by the neighbor who's secretly in love with him and another tale about an outbreak of SARS in the hospital that forces Fitz and Chen to come to terms with the possibility of their own deaths. Written in a straightforward manner and including a helpful glossary of medical terms, this is a good addition to every fiction collection.
—David A. Berona