Log in to track your reading progress.
Overview
When, late in 1862, Mathew B. Brady posted a notice on the door of his New York studio reading, "The Dead of Antietam," it caused a sensation. It proclaimed an exhibition of photographs taken by him and his assistants of the aftermath of the bloodiest day in American history. It was the first time that most people witnessed the carnage of the American Civil War, bringing home to them the terrible reality and earnestness of the conflict. In fact, the Civil War was the first to be covered in detail in photographs, and literally thousands of them were taken by Brady and his operatives operating out of New York and Washington, D.C. Before the war, photography itself was still in its infancy, but Brady forged a name for himself as a portrait photographer, choosing as his subjects the country's civilian and military leaders, and foreign dignitaries, and chronicling the nation's history as painters had done before him. As war loomed, Brady planned to document the war on a grand scale and organized a corps of photographers to follow the troops in the field. Spurning the advice of friends who warned him of the battlefield dangers and financial risks, Brady proved with his war scenes that photographs could be more that posed portraits. He established the craft as an art form, such that photographs credited to his studios have inspired countless photographers ever since. Brady Studio teams carried their cameras and darkroom equipment in horse-drawn carts around the camps and the battlefields, recording for posterity the commanders and troopers, the weapons, the pageantry, the triumphs and the suffering of the sick and the wounded, and sadly the death and sheer destruction in the citiesand cornfields during the war that pit American against American. For Brady himself, the war proved a financial disaster, and even the sale of his archive some years later could not save him from bankruptcy. In his final years, he said, "No one will ever know what I went through to secure those negatives." He died in 1896, penniless and largely unappreciated. It was not until decades later that his skill and artistry with the camera were acknowledged. Fortunately, many of his images survive, and Brady's Civil War presents a selected collection of them, highlighting their immense creativity and informative value for military enthusiasts as well as readers interested in the art of photography. The text, by Webb Garrison, a successful author on the wide subject of the Civil War, is in the form of incisive and explanatory captions, describing how the camera was taken to the battlefield to create the world's first comprehensive photo-documentation of war.A pictorial history of the Civil War, using photographs taken by Mathew Brady and his assistants.
Editorials
From Barnes & Noble
Matthew Brady was America's foremost Civil War photographer. He learned the basics from none other than Samuel Morse, and set up his own daguerreotype studio in New York in 1844. Little known about Brady: His fading eyesight during the war meant that his assistants were responsible for many of the photos credited to him. Brady's Civil War presents more than 300 of these classic photos, while also clearing up the questions and myths concerning their origin.Library Journal
Unlike previous conflicts, when periodicals used artist sketches, the Civil War was the first major armed conflict to be illustrated with photographs. At the outset of the war in July 1861, Mathew Brady (1823-96), who was operating a photography studio in New York, set out to photograph the Battle of Bull Run in Manassas, VA. Brady went on to become the leading war photographer, amassing, with his assistants, some 6000 photographs. Lecturer and historian Garrison (The Amazing Civil War) has selected more than 300 of these images to be reproduced as vivid, large-size images for his book. The subject matter is diverse: portraits of political leaders and military commanders; and scenes of soldiers and carnage on the battlefield, care of the sick and wounded, and behind-the-lines home life. The emphasis is almost wholly on the Union side. This book will appeal to Civil War buffs. Recommended for academic libraries.--Harry Frumerman, formerly with Hunter Coll., New York Copyright 2001 Cahners Business Information.Book Details
Published
January 2, 2001
Publisher
The Lyons Press
Pages
256
Format
Hardcover
ISBN
9781585741229