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Breakable You by Brian Morton β€” book cover
Fiction, American Fiction, World Literature, Fiction Subjects

Breakable You

by Brian Morton
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Overview

"Adam Weller is a middle-aged novelist, past his prime, but squiring around a much younger woman and still longing for greater fame and glory. His former wife Eleanor is unhappily playing the role of the discarded, overweight woman. Their fragile perennial-student daughter Maud has just begun a frankly sexual affair with Samir, an Arab American." Into these lives the past intrudes in a way that will test them to their core. Adam receives an appeal from the widow of his literary mentor and rival when she finds a manuscript that may be a lost masterpiece. As Maud draws closer to Samir, she discovers an unexpected obstacle: Samir is still in mourning for his young daughter, whose death remains the central fact of his existence. And Eleanor is suddenly contacted by Patrick, her first love whom she abandoned for the larger, brighter life Adam seemed to promise. By the novel's end, all of these characters will be forced to stare at the truth of their lives and make choices that will define their essential natures.

Synopsis

Adam Weller is a moderately successful novelist, past his prime, but squiring around a much younger woman and still longing for greater fame and glory. His former wife, Eleanor, is unhappily playing the role of the overweight, discarded woman. Their daughter Maud has just begun a frankly sexual affair that unexpectedly becomes life-changing. Into each of these lives the past intrudes in a way that will test them to their core. With perfect pitch and a rare empathy, Brian Morton is equally adept at portraying the life of the mind and how it plays out in the world, brilliantly tracing the border between honor and violation. Here Morton tells his strongest story yet—a story about love, friendship, literary treachery, and what each of us owes to the past.

Publishers Weekly

While the story of two broken couples-one by infidelity, one by tragedy-contains a number of maudlin moments, this polished novel's touchy-feely title belies the trenchant humor of its take on contemporary New York, especially its literary scene. Adam Weller-one of the more engaging scoundrels in recent fiction-is an aging, semirenowned novelist whose star is on the wane. Petty, egocentric and devious, he has left his wife, Eleanor, for a beautiful, ambitious younger woman, Thea. Through a series of improbable events, he acquires a late rival's long-lost, unpublished manuscript, a masterpiece which he appropriates and sells as his own, in hopes of reviving his flagging career. Eleanor, an Upper West Side therapist, struggles to recover from their breakup, even as an old college sweetheart tries to reconnect with her. Meanwhile, their daughter, Maud, a philosophy grad student with a history of depression, enters into an unlikely but intense affair with Samir, a man haunted by the death of his young daughter from a previous marriage. The interwoven plots proceed briskly toward what could be a spectacularly melodramatic climax, but despite occasional contrivances, Morton (Starting Out in the Evening) brings the novel to a quietly moving conclusion. (Sept.) Copyright 2006 Reed Business Information.

About the Author, Brian Morton

BRIAN MORTON is the author of three previous novels, including Starting Out in the Evening, which won the Koret Jewish Book Award and was chosen by Salon as a favorite book of the year, and A Window Across the River, which was a Today Book Club selection. He teaches at Sarah Lawrence College and New York University and lives in New York.

Reviews

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Editorials

Publishers Weekly

While the story of two broken couples-one by infidelity, one by tragedy-contains a number of maudlin moments, this polished novel's touchy-feely title belies the trenchant humor of its take on contemporary New York, especially its literary scene. Adam Weller-one of the more engaging scoundrels in recent fiction-is an aging, semirenowned novelist whose star is on the wane. Petty, egocentric and devious, he has left his wife, Eleanor, for a beautiful, ambitious younger woman, Thea. Through a series of improbable events, he acquires a late rival's long-lost, unpublished manuscript, a masterpiece which he appropriates and sells as his own, in hopes of reviving his flagging career. Eleanor, an Upper West Side therapist, struggles to recover from their breakup, even as an old college sweetheart tries to reconnect with her. Meanwhile, their daughter, Maud, a philosophy grad student with a history of depression, enters into an unlikely but intense affair with Samir, a man haunted by the death of his young daughter from a previous marriage. The interwoven plots proceed briskly toward what could be a spectacularly melodramatic climax, but despite occasional contrivances, Morton (Starting Out in the Evening) brings the novel to a quietly moving conclusion. (Sept.) Copyright 2006 Reed Business Information.

NEWSDAY

"For some readers, Brian Morton may still be an undiscovered treasure. He won''t be for long."

The New York Sun

"[Morton] is a deeply compassionate writer, unafraid to treat the largest themes...in an earnest, generous spirit."

β€” Adam Kirsch

People

"In this polished, affecting novel, [the characters''] stories intertwine and uplift."

Library Journal

A so-so, middle-aged novelist dotes on a much younger beauty, as his former wife languishes and his daughter retaliates by launching a wild affair. From the author of the award-winning Starting Out in the Evening. Copyright 2006 Reed Business Information.

Kirkus Reviews

The pressures of the examined life reshape priorities and relationships among an expanding and contracting extended family of urban intellectuals. Morton's fourth novel (A Window Across the River, 2003, etc.) moves with brisk efficiency among linked subplots concerning respected literary novelist Adam Weller (63, and involved with a much younger woman), his resentful ex Eleanor (a psychologist) and their youngest child, Maud, a lecturer and Ph.D. candidate in philosophy with a history of inchoate commitments and nervous breakdowns. Maud seems to be emerging from her lifelong fragility when she falls for Samir, an Arab-American carpenter whose continuing sorrow over the death of his three-year-old daughter will be gradually assuaged after Maud informs him she's pregnant. Eleanor, obese and depressed, stubbornly resists the chance for happiness offered by Patrick, who has spent his life as a labor activist, but reserved the energy to pursue her again, even after 40 years. Meanwhile, the wily Adam (a self-justifying careerist whose expressive egotism is reminiscent of more than one Saul Bellow character) sees an opportunity to embellish his reputation when Ruth, widow of eminent novelist (and Adam's mentor) Isidore Cantor, produces the completed manuscript of her husband's "unknown" novel, then dies-before anyone but Adam knows of the book's existence. Abetted by his brazen mistress Thea (employed as an assistant to TV interviewer Charlie Rose), Adam-as usual-thrives. Others around him are less fortunate. Eleanor settles for sublimating her happiness in tending others' needs. Maud loses one great love, gains another and-paradoxically-acquires a wisdom beyond her elders' grasp. A philosopherto the core, she assures another afflicted soul (her wheelchair-bound confidant Ralph) that "We must imagine Sisyphus happy"; and, drawing the inevitable conclusion, accepts that "The law of life . . . is striving."Precisely observed characters, keen prose and a sure sense of how we simultaneously complicate and survive our lives make this one something special.

Chicago Tribune

"The passions of Morton's characters ring true...because the romantic ones conflict with such things as professional ambition and jealousy."

Wall Street Journal

"Breakable You...is written and imagined with a sure touch that achieves a somber beauty."

Atlantic Monthly

"Morton...recognizes that meaning is expressed mostly through subtleties...[he] is especially skilled with subtle humor."

The Palm Beach Post

"Breakable You embodies a rare lyricismβ€”not the lyricism of the literary, but the lyricism of life itself."

New York Times Book Review

"As in his previous novels, Morton evokes the physical and psychological landscape of New York in swift satirical strokes...Terrible fates befall some of Morton's characters, undeserved; he seems, at times, to bring them to life only to make them suffer. It's a complaint usually reserved for a higher power, and a tribute to Morton's craft: conjuring up lives so vivid the reader mourns their passing."

New Yorker

"This packed novel about the vagaries of love and grief takes place in a New York straight out of Woody Allen...Inside his broad comedy of manners is a hearfelt novel about the redemptive power of suffering."

San Francisco Chronicle

"Morton is the rare writer equally invested in people and ideas."

Connecticut Post

"Entertain from first page to last because the characters are so full of life and humor."

People Magazine

"In this polished, affecting novel, [the characters'] stories intertwine and uplift."

Newsday

"For some readers, Brian Morton may still be an undiscovered treasure. He won't be for long."

The New York Sun - Adam Kirsch

"[Morton] is a deeply compassionate writer, unafraid to treat the largest themes...in an earnest, generous spirit."

Book Details

Published
October 1, 2007
Publisher
Houghton Mifflin Harcourt
Pages
368
Format
Paperback
ISBN
9780156033176

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