Broken Shore

From the Publisher

"Flinty, funny, subtle, and smart . . .Temple ranks among [the crime genre's] very best practitioners."—Entertainment Weekly

"Having read the new novels of Michael Connelly and Martin Cruz Smith, I have to say that Temple belongs in their company. . . . Murder, rape, suicide, child abuse, police brutality, shootouts—but always in the context of gorgeous writing . . . Throughout, Temple finds time to please us with flashes of writing that range from poetic to brutal."—The Washington Post

"A grim, brutally involving crime novel [from] a master of the genre . . . Temple develops a complex tale threaded with the racism and corruption so embedded in Australia's ways and means that the scene is as vivid as the crime. . . . A compulsive read . . . It's one of those books you can't wait to finish and then can only regret that it's ended."—Daily News (New York)

"The extra emphasis on character, as well as subtle commentary on race and class divides, add many welcome layers to Temple's already-outstanding acuity for plotting and pace and his almost musical ear for dialogue."—The Baltimore Sun

"A mature and measured account of the kind of crimes committed in the dead quiet of rural Australia . . . Temple offers some provocative and painful views of Australia's inner landscape."—The New York Times Book Review

"This deeply intelligent thriller starts slowly, builds inexorably, and ends unforgettably."—Booklist

"[Temple] writes so beautifully."—Salon.com

"One of the year's best mysteries . . . Drop everything and read this book."—Rocky Mountain News

Marilyn Stasio

Along with giving us mournful scenes of civilization’s slow encroachment on an idyllic countryside, Temple offers some provocative and painful views of Australia’s inner landscape.
— The New York Times

Patrick Anderson

In short, The Broken Shore offers both poetry and gore, and it's best if you have a taste for both. Having read the new novels of Michael Connelly and Martin Cruz Smith, I have to say that Temple belongs in their company. Australia is a long way off, but this bloke is world-class.
— The Washington Post

Publishers Weekly

What do you do if you want to turn the latest book by a writer who's won five Ned Kelly Awards (Australia's equivalent to the Edgar Awards) into an equally impressive audio version? Blackstone had the perfect solution: get a reader like Hosking, who can do all the voices, from big-city cop Joe Cashin, young and old aborigine men and women, and truly frightening racist cops who will do anything to bury their deadly secrets. Hosking's characters are instantly and subtly rendered, springing to life quickly in listeners' minds. And his reading of Temple's descriptions of the Australian countryside, ranging from lush to rough, is a virtual audio trip to the source. This talented team catches the excitement and the beauty of a unique land. A simultaneous release with the FSG hardcover. (July)

Copyright 2007 Reed Business Information

Library Journal

Detective Joe Cashin had hoped for a little peace when he accepted a posting in his quiet South Australia hometown. But no such luck; he's in the midst of a murder investigation, with three aboriginal boys as the main suspects. Reading group guide. Copyright 2007 Reed Business Information.

Kirkus Reviews

An Australian cop sent to the hinterlands after narrowly escaping death finds that life in the slow lane is just as nasty. Someone's bashed in the silvered head of Charles Bourgoyne, industrialist and philanthropist, and left him for dead. The evidence of Bourgoyne's pricey missing watch points to three aboriginal boys who tried to pawn a similar watch. But when Detective Sergeant Joe Cashin, head of Port Monro station, tries to bring them in, the pinch goes horribly wrong. Suddenly Cashin, a homicide cop whose partner was killed by a murderous drug dealer aiming for Cashin as well, is treading on eggshells. His old schoolmate Bobby Walshe, a political activist leading a radical new party, serves notice that he intends to make hay of the debacle. Helen Castleman, another old schoolmate who's now an attorney defending one of the accused, rails against him and then, adding insult to injury, buys the place next door and starts a quarrel over the boundary between them. With every inducement to declare the case closed, Cashin finds himself reopening it instead. What he learns about Bourgoyne and a trail of other victims is devastating. Temple (Identity Theory, 2004, etc.) drops disclosure after grim disclosure into his tale as discreetly as if he were trying to keep each revelation secret, and the behavior of several suspects defies belief. The densely layered narrative is less a whodunit than a superior mood piece and psychological portrait.

Winner of the Ned Kelly Award for Crime Fiction (Australia)

Joe Cashin was different once. He moved easily then. He was surer and less thoughtful. But there are consequences when you’ve come so close to dying. For Cashin, they included a posting away from the world of Homicide to the quiet place on the coast where he grew up. Now all he has to do is play the country cop and walk the dogs. And sometimes think about how he was before.

Then prominent local Charles Bourgoyne is beaten and left for dead. Everything seems to point to three boys from the nearby Aboriginal community; everyone seems to want it to. But Cashin is unconvinced. And as tragedy unfolds relentlessly into tragedy, he finds himself holding onto something that might be better let go.