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Call it What You Want by Keith Lee Morris β€” book cover

Call it What You Want

by Keith Lee Morris
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Overview

Call It What You Want, a stunning story collection inhabited by dreams and disappointments, good intentions and small triumphs, chronicles the lives of men lost in the liminal spaces between adolescence and adulthood. For all their flaws β€” as husbands, as fathers, as friends β€” the characters are portrayed with depth, tenderness, and humanity. Morris' writing has been compared to that of Denis Johnson, Richard Ford, and Richard Russo, and Call It What You Want balances realism with the surreal, humor with sadness, and explores all the hidden places in between.

About the Author, Keith Lee Morris

Keith Lee Morris is an associate professor of English and creative writing at Clemson University. His short stories have been published in Tin House, A Public Space, Southern Review, Ninth Letter, StoryQuarterly, New England Review, The Sun, and the Georgia Review, among other publications. The University of Nevada published his first two books, The Greyhound Gods (2003) and The Best Seats in the House (2004), and Tin House Books published his novel The Dart League King.

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Editorials

Publishers Weekly

After The Dart League King, Morris returns to the short form with his refreshingly unpretentious if stylistically narrow second collection. In these 13 stories, protagonists turn the reader into a confidant and introduce plots that believably approximate the unique and fitful path of human thought. With the exception of β€œMy Roommate Kevin Is Awesome,” which is written in teen jargon liberally sprinkled with β€œlike,” Morris's prose is polished to transparency and proves surprisingly flexible in terms of tone. In β€œThe Visitation,” an encounter with a charmingly unflappable thief grows into a darkly absurdist cautionary tale. β€œGuests” captures the aimless rhythms and restlessness of a young man working as a New Orleans parking valet. In the lengthy and affecting β€œTestimony,” teenager Robert Scott is the key prosecution witness in his friend's murder trial. Robert, until recently an addict, comes slowly to realize the larger dimensions of his actions and his testimony for the first time as he relives the crime in the courtroom and witness box. Though the stories can seem too formally similar, the pieces, individually, are marked by quiet authority and beautifully observed moments. (Apr.)

Book Details

Published
April 1, 2010
Publisher
Tin House Books
Pages
264
ISBN
9780982504864

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