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Overview
This book explores the impact of African American culture on modernist poetic language by placing black literature and culture at the center of an inquiry into the genealogy of avant-garde poetics. Geoffrey Jacques looks at how blackface minstrelsy, ragtime, vernacular languages, advertising copy, Freud's idea of the Uncanny, vaudeville, the cliche, and Tin Pan Alley-style song all influenced modernist poetry.
Book Details
Published
January 1, 2009
Publisher
University of Massachusetts Press
Pages
240
Format
Paperback
ISBN
9781558496880