Overview
In modern Britain, the working class has become an object of fear and ridicule. From Little Britain’s Vicky Pollard to the demonization of Jade Goody, media and politicians alike dismiss as feckless, criminalized and ignorant a vast, underprivileged swathe of society whose members have become stereotyped by one, hate-filled word: chavs.
In this groundbreaking investigation, Owen Jones explores how the working class has gone from “salt of the earth” to “scum of the earth.”
Exposing the ignorance and prejudice at the heart of the chav caricature,
one based on the media’s inexhaustible obsession with an indigent white underclass, he portrays a far more complex reality. Moving through Westminster’s lobbies and working-class communities from Dagenham to Dewsbury Moor, Jones reveals the increasing poverty and desperation of communities made precarious by wrenching social and industrial change, and all but abandoned by the aspirational, society-fragmenting policies of Thatcherism and New Labour. The chav stereotype, he argues, is used by governments as a convenient figleaf to avoid genuine engagement with social and economic problems, and to justify widening inequality.
Based on a wealth of original research, and wide-ranging interviews with media figures, political opinion-formers and workers, Chavs is a damning indictment of the media and political establishment, and an illuminating,
disturbing portrait of inequality and class hatred in modern Britain.
Editorials
The Times
A timely book.— Book of the WeekBook of the Week - The Times
“A timely book.”Guardian
A blinding read.— Suzanne MooreNew York Times
A work of passion, sympathy and moral grace.— Dwight GarnerObserver
A lively, well-reasoned and informative counterblast to the notion that Britain is now more or less a classless society.— Sean O'HaganDwight Garner
In pursuit of answers, Chavs covers a lot of ground. It's a history of the British class system, a long-form indictment of Margaret Thatcher's social and economic policies and a rowdy broadside against London's elite media and political circles. Its combination of wit and outrage…is intoxicating…Mr. Jones is…hideously talented…[Chavs is] something to behold, a work of passion, sympathy and moral grace.—The New York Times