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Overview
Deleuze ascribes this shot to the condition of postwar Europe: the situations and spaces 'we no longer know how to describe'-- buildings deserted but inhabited, cities undergoing demolition or reconstruction--and the new race of characters who emerged from this rubble, mutants who 'saw rather than acted.'Synopsis
Deleuze ascribes this shot to the condition of postwar Europe: the situations and spaces 'we no longer know how to describe'-- buildings deserted but inhabited, cities undergoing demolition or reconstruction--and the new race of characters who emerged from this rubble, mutants who 'saw rather than acted.'
Booknews
Brings to completion Deleuze's (philosophy, U. of Paris) work on the theoretical implications of the cinematographic image. Largely based on the writings of Bergson and Peirce, Deleuze's theorizing grapples with intellectual cineaste. Annotation c. Book News, Inc., Portland, OR (booknews.com)