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Circling My Mother by Mary Gordon — book cover

Circling My Mother

by Mary Gordon
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Overview

In this triumphant return to nonfiction after two critically acclaimed works of fiction, Mary Gordon gives us a rich, bittersweet memoir about her mother, their relationship and her role as daughter.

Anna Gagliano Gordon, who died in 2002 at the age of 94, lived a life colored by large forces: immigration, world war, the Great Depression, and physical affliction--she contracted Polio at the age of 3 and experienced the ravages of both alcoholism and dementia. A hard-working single mother--Gordon’s father died when she was still a girl--Anna was the personification of the culture of the mid-century American Catholic working class. Yet, even in the face of these setbacks, she managed hold down a job, to dress smartly and raise her daughter on her own, and though she was never a fan of the arts which so attracted Mary, she worshiped the beauty in life in her own way, with a surprising joie de vivre and a beautiful singing voice.

Gordon writes about Anna in all of her roles: sister, breadwinner, woman of faith and single mother. We discover Anna’s wry and often biting humor, her appreciation of life’s simple pleasures, her courage in breaking out of the narrow confines of her birth. Toward the end of Anna’s life, we watch the author take on all the burdens and blessings of caring for her mother in old age, beginning even then to reclaim from memory the vivid woman who helped her sail forth into her own life.

Bringing her exceptional talent for detail, character, and scene to bear on the life of her mother, Gordon gives us a deeply felt and powerfully moving book.

Synopsis

Anna Gagliano Gordon, who died in 2002 at the age of 94, was the personification of the culture of the mid-century American Catholic working class. A hard-working single mother – Mary Gordon's father died when she was still a girl – she managed to hold down a job, dress smartly, raise her daughter on her own, and worship the beauty in life with a surprising joie de vivre. Bringing her exceptional talent for detail, character, and scene to bear on the life of her mother, Gordon gives us a deeply felt and powerfully moving book about their relationship. Toward the end of Anna's life, we watch the author care for her mother in old age, beginning to reclaim from memory the vivid woman who helped her sail forth into her own life.

The New York Times - Darcey Steinke

These days, we seem to have two kinds of religious books. Those like The Purpose-Driven Life,…insipidly set out conservative precepts, encouraging us to join churches, obey their doctrines and center our spiritual lives around them, no matter how limiting those lives might be in that context alone. At the other end of the spectrum are gleeful repudiations of religion like Christopher Hitchens's atheist manifesto, God Is Not Great. But Hitchens's definition of religion is childlike and reductive; he completely discounts the longing many of us feel for divinity. What's inspiring about Circling My Mother is Gordon's deeply personal portrayal of her mother. Anna Gagliano is not someone who feels she must have large ideas about what's wrong with Catholicism. Instead, like those famous midcentury Catholics, Gordon's mother attends to the nourishment of her own particular religious vocation, a vocation less glamorous than Merton's and Day's but no less divine—a vocation as a single mother, as one afflicted by polio, as a woman in full belief of the love of God.

About the Author, Mary Gordon

The McIntosh Professor of English at Bamard College, Mary Gordon is the author of several acclaimed novels that deal with the conflicts facing modern women, including Spending and Pearl, as well as a stirring memoir about her father, The Shadow Man.

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Editorials

Darcey Steinke

These days, we seem to have two kinds of religious books. Those like The Purpose-Driven Life,…insipidly set out conservative precepts, encouraging us to join churches, obey their doctrines and center our spiritual lives around them, no matter how limiting those lives might be in that context alone. At the other end of the spectrum are gleeful repudiations of religion like Christopher Hitchens's atheist manifesto, God Is Not Great. But Hitchens's definition of religion is childlike and reductive; he completely discounts the longing many of us feel for divinity. What's inspiring about Circling My Mother is Gordon's deeply personal portrayal of her mother. Anna Gagliano is not someone who feels she must have large ideas about what's wrong with Catholicism. Instead, like those famous midcentury Catholics, Gordon's mother attends to the nourishment of her own particular religious vocation, a vocation less glamorous than Merton's and Day's but no less divine—a vocation as a single mother, as one afflicted by polio, as a woman in full belief of the love of God.
—The New York Times

Publishers Weekly

Short story writer, novelist and memoirist Gordon honors her late mother, Anne. Though she died in 2002, Anne was gradually lost to senile dementia years before, stunting Gordon's grief. Now, she explains, "I write about her because I am a writer and it's the only way that I can mourn her." Anne emerges as the progeny of her era-a daughter of working-class Catholic immigrants, a Great Depression survivor "plagued by the horror of waste," a stalwart woman who provided for a long succession of family members that couldn't (or sometimes wouldn't) support themselves. For all her formidable strength, Anne was vulnerable-her body misshapen by polio, her mind tormented by alcoholism and despair, her tenderness of emotion only conveyed in song. Fans of Gordon's work will recognize familiar conflicts in the people who shaped Anne's life: sisters, friends, priests-men who served as "ancillary husbands" through her widowhood. As the title suggests, Gordon realizes that understanding Anne wholly is not easily done from any one stance, and so she opts to encircle her, weaving between the realms of memoir and biography. The result is a moving, affecting work on the tug-of-war between mother and daughter, between women and the changing world around them. (Aug.)

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Kirkus Reviews

Fiction writer Gordon (Pearl, 2005, etc.) grapples with the legacy of her complex, troubled mother. It's a companion piece to the author's 1996 memoir of her father, The Shadow Man. Like that earlier book, this is an impressionistic portrait. "I came to realize that I couldn't see my mother properly by standing in one place," writes Gordon, explaining her title. "I had to walk around her life, to view it from many points." She opens and closes this journey with vignettes about painter Pierre Bonnard. In 2002, shortly before her mother's death, Gordon traveled to Washington, D.C., to see a Bonnard exhibition, escaping from the grim reality of a parent so deep in dementia she had not recognized her daughter for at least five years. In between those two points, the author's mother, Anna Gagliano Gordon, worked for decades as a legal secretary, not retiring until she was 75. She had uneasy relationships with her four sisters (one of whom the author despised) and a strange union with a man who couldn't seem to lift off the launch pad: "They should never have married," Gordon declares bluntly. Anna vacationed frequently with two close female friends and later took a few awkward trips to Europe with her daughter; at the Vatican, Mom met the Pope and said he smelled like raisins. She was a practicing, hopeful Roman Catholic who idolized several priests. At times, the author is brutal with herself. She wishes she had visited Anna more often during the final years in a nursing home; she regrets slapping her mother after a contretemps in Ireland. But when the nursing home called to say Anna had died, her daughter screamed. A pointillist accumulation of moments that movingly invokes speculation,introspection, loss and its habitual companion, regret.

Book Details

Published
October 1, 2008
Publisher
Knopf Doubleday Publishing Group
Pages
272
Format
Paperback
ISBN
9780307277619

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