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Journalism & News, Artists, United States - 19th Century - Civil War - History, Fiction - General & Miscellaneous, Literature - Criticism & History
Civil War Artist by Taylor Morrison — book cover

Civil War Artist

by Taylor Morrison
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Overview

William Forbes arrives in New York in 1861, eager to start a career as an artist. When he has difficulty finding work, he signs on with Burton’s Illustrated News to sketch the battles of the Civil War. This historical account shows how the news was reported, from William’s sketches of dangerous battle scenes through the making of a wood engraving and finally to the printed page of the newspapers of the day.

Traces an illustrator's sketch of a Civil War battle from the time it leaves his hands, through the engraving and printing processes, and to its final publication in a newspaper.

Synopsis

William Forbes arrives in New York in 1861, eager to start a career as an artist. When he has difficulty finding work, he signs on with Burton’s Illustrated News to sketch the battles of the Civil War. This historical account shows how the news was reported, from William’s sketches of dangerous battle scenes through the making of a wood engraving and finally to the printed page of the newspapers of the day.

School Library Journal

Gr 3-6-This historically accurate account of a fictional sketch artist's role in recording events through illustrated news stories is presented in picture-book format. Morrison mentions the work of photographer Mathew Brady but explains that early photographs could not capture movement or be printed in newspapers. Thus, it was left to sketch artists to record Civil War battle scenes. The author carefully follows the four-week journey of a battlefield drawing from the artist's pad to the newspaper office via courier and once there through a multistep process to the printed page. While readers may not understand all of the stages of this time-consuming process, they will grasp its complexity. Morrison's attractive full-color illustrations provide additional informative detail. An excellent example of illustrated history.-Rosie Peasley, Empire Union School District, Modesto, CA Copyright 1999 Cahners Business Information.

About the Author, Taylor Morrison

Taylor Morrison pairs his artistic talent with extensive research to bring readers engaging nonfiction picturebooks. A graduate of the Rhode Island School of Design, he has illustrated several books for children. He was born in Kansas, raised in Illinois, and now makes his home in Oregon.

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Editorials

School Library Journal

Gr 3-6-This historically accurate account of a fictional sketch artist's role in recording events through illustrated news stories is presented in picture-book format. Morrison mentions the work of photographer Mathew Brady but explains that early photographs could not capture movement or be printed in newspapers. Thus, it was left to sketch artists to record Civil War battle scenes. The author carefully follows the four-week journey of a battlefield drawing from the artist's pad to the newspaper office via courier and once there through a multistep process to the printed page. While readers may not understand all of the stages of this time-consuming process, they will grasp its complexity. Morrison's attractive full-color illustrations provide additional informative detail. An excellent example of illustrated history.-Rosie Peasley, Empire Union School District, Modesto, CA Copyright 1999 Cahners Business Information.

Kirkus Reviews

It took four weeks for illustrations of scenes from the US's Civil War battles to make it from the front lines to readers' hands; Morrison (Cheetah, 1998, etc.) explains that process in his uniquely handsome book. Morrison introduces the fictional artist, William Forbes, commissioned by the fictional Burton's Illustrated News to follow the Union Army into battle at Bull Run. Throughout the day's fighting Forbes makes quick sketches; it is risky business, and he is often in mortal peril. That night he makes a more complete drawing, which is handed to a courier and taken back to the Burton offices. There, engravers set to work translating Forbes's drawing to a grid of wood blocks (Morrison includes interesting incidentals along the way, giving the process its due). The images are converted to electrotype, whereafter it is finally ready for the operators and pressman. Shortly after that, the newsboys are seen hawking the illustrated weekly, containing Forbes's image a mere month after the actual event. Morrison successfully renders the complexities of illustrating newspapers 150 years ago, and just as successfully conveys that in abandoning the wood block for the photograph, some of the art was sacrificed for speed. (glossary) (Picture book. 6-10)

Book Details

Published
August 1, 2004
Publisher
Houghton Mifflin Harcourt
Pages
32
Format
Paperback
ISBN
9780618495382

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