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20th Century American Literature - General & Miscellaneous - Literary Criticism, English Fiction & Prose Literature - 20th Century - Literary Criticism
Classics and Contemporaries by John W. Aldridge β€” book cover

Classics and Contemporaries

by John W. Aldridge, Darrell J. Fasching
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Overview

Popular critic John Aldridge gathers essays from his distinguished career to trace the evolution of contemporary literature, from Ernest Hemingway and Henry James to John Barth and Norman Mailer.

Synopsis

Popular critic John Aldridge gathers essays from his distinguished career to trace the evolution of contemporary literature, from Ernest Hemingway and Henry James to John Barth and Norman Mailer.

Publishers Weekly

Literary critics Aldridge ( After the Lost Generation ) here assembles 32 previously published articles, dating chiefly to the 1970s and 1980s. Analyzing the work of the early (Henry James, Ford Madox Ford), middle (Faulkner, Hemingway) and late (James Jones, Joseph Heller) modernists in relation to the times in which they wrote, his creative, spirited and trenchant opinions should both challenge and delight readers of literary criticism. A closing essay, also lie kely to inspire debate, dismisses the work of contemporary writers as mediocre and banal due to the homogenizing effect of mass culture. The essays seled cted, as some readers will note with dismay, deal only with the work of white men. (July)

About the Author, John W. Aldridge

John W. Aldridge is Professor Emeritus of English at the University of Michigan in Ann Arbor.  He is the author of many books of criticism, most recently The American Novel and the Way We Live Now.  

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Editorials

From the Publisher

"Without reservation it's possible to say of Aldridge what he says of Ford Madox Ford in Classics. He is 'that rarest of beings, the genuine, wholly dedicated literary professional' and perhaps 'the last of that line'." --Chicago Tribune 

Publishers Weekly - Publisher's Weekly

Literary critics Aldridge ( After the Lost Generation ) here assembles 32 previously published articles, dating chiefly to the 1970s and 1980s. Analyzing the work of the early (Henry James, Ford Madox Ford), middle (Faulkner, Hemingway) and late (James Jones, Joseph Heller) modernists in relation to the times in which they wrote, his creative, spirited and trenchant opinions should both challenge and delight readers of literary criticism. A closing essay, also lie kely to inspire debate, dismisses the work of contemporary writers as mediocre and banal due to the homogenizing effect of mass culture. The essays seled cted, as some readers will note with dismay, deal only with the work of white men. (July)

Booknews

Thirty-two essays of contemporary literary criticism (reprinted from such periodicals as Harper's, The Saturday Review and The New York Times Book Review) take on some of the major figures of modern literature, among them Hemingway, James, Faulkner, Steinbeck, Barth, and Bellow. Written between 1968 and 1991, some have been expanded, others have restored portions (edited out in the original published version), and others have postcripts that incorporate discussion of materials published after the essay was published. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Book Details

Published
July 1, 1992
Publisher
University of Missouri Press
Pages
256
Format
Hardcover
ISBN
9780826208224

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