Books.org participates in affiliate programs including Bookshop.org and the Amazon Services LLC Associates Program. We may earn a commission from qualifying purchases made through links on this page, at no additional cost to you.
Synopsis
Carmen Boullosa is one of Latin America's most original voices, and in Cleopatra Dismounts she has written a remarkable reconstruction of the life of the Egyptian queen, who famously died in Marc Antony's arms. But is this really the true Cleopatra?
Through the intervention of Cleopatra's scribe and informer Diomedes, Boullosa creates two previous Cleopatras, and in effect two deliriously wild other lives for the young monarch-a girl escaping the intrigues of royal society, and the young queen who is carried across the sea on the back of a magical bull, to live among the Amazons and become part of their society.
Magical, multifaceted, and rippling with luminous imagination, Cleopatra Dismounts is a work that recalls Jeanette Winterson's Sexing the Cherry and confirms Carmen Boullosa as an important international voice.
Publishers Weekly
Mexican writer Boullosa (Leaving Tabasco, etc.) lavishly reimagines the life of the legendary Cleopatra of Egypt in this daring intermingling of fantasy and history told in various voices. The book begins with the words of an assistant to Diomedes, Cleopatra's scribe and informer, who attempts to bring order to the fragments the dying scribe has preserved of Cleopatra's words. Cleopatra's histrionic yet formal recounting of her love affair with Mark Antony as she prepares to commit suicide next to his dead body is followed by a disclaimer from Diomedes, who discounts the previous sections as manipulated by the Romans who wished to disgrace Cleopatra's memory. He quixotically vows to recapture the speech of the true Cleopatra, and thus begins a convoluted, fantastic first-person account of Cleopatra's escape as a girl from her father's residence in Rome, her adventures with Cilician pirates, her supernatural abduction by a magical bull and her encounter with the Amazons as she attempts to recover her embattled country. The queen's erotically chaotic education under the Amazons, as well as the abandon of her numerous sexual liaisons, stand in contrast to her commitment to order and clever administration of her empire, and we are left, like Diomedes, with a conflicted picture of the true Cleopatra. Unfortunately, that picture is made almost incomprehensible by an overabundance of minor historical and mythological figures and an abrupt, disconnected, hallucinatory narrative; the translation by Hargreaves feels haranguing and flat rather than powerful. Though Boullosa makes a bold attempt to reflect on the power of women and the sacrifices of erotic love, her effort falls short, leaving an impression of the "disharmony, patternless and fragmented, heading in all directions" that Cleopatra despised, rather than the Egyptian queen's "energy, complexity, and violence." (Nov.) Copyright 2003 Reed Business Information.