Overview
Lorraine is a three-time loser: an ex-LAPD cop, ex-hooker, ex-wife, even an ex-mom, since she lost custody of her kids. She is recovering from the alcoholism that nearly destroyed her life and, through tremendous force of will, has managed to pull herself back together and set up her own private detective agency in Los Angeles, but she finds that there is scant demand for her services. Finally she lands the high-profile case that could activate her new career. The eighteen-year-old daughter of a fading movie starlet has disappeared during Mardi Gras, and her parents offer Lorraine $1 million if she finds the girl, dead or alive. As the search for the missing girl becomes a deadly murder hunt involving Hollywood rich kids and New Orleans lowlife, Lorraine is caught in a web of deceit and violence that threatens to drag her back into the murky world she has fought so hard to escape. When she finds herself strongly attracted to Robert Caley, the girl's father - who, in turn, is sexually drawn to her - she knows she faces a new kind of danger. She begins to spin out of control and turns to her old friend booze for solace. The game gets more dangerous as Lorraine fights demons within and without, but the million-dollar bonus is a powerful incentive not to back off a case that would give her the professional respect she craves but could also kill her. Cold Blood reverberates with realism.Editorials
Library Journal
One night during the Mardi Gras in New Orleans, 18-year-old Anna Louise Caley vanishes. Eleven months later, when all other efforts have failed, the girl's mother (aging film star Elizabeth Caley) hires an ex-cop and recovering alcoholic named Lorraine Page and offers her a $1 million bonus if she finds Anna Louise, dead or alive. The investigation leads Lorraine and her team into a world of drugs, booze, adultery, suicide, voodoo, and murder. These side plots are too loosely connected to the easily solved main mystery, and the transitions are jarring. Also, too much time is spent proving Elizabeth Caley's obvious drug addiction, tempting the reader to agree when the actress reminds Lorraine, "You are supposed to be investigating the disappearance of my daughter, not delving into my private life." Still, a respectable effort. La Plante (Entwined, LJ 5/15/93) and her heroine Lorraine are both talents worth watching. A good purchase for public library collections.Lori Dunn, Montgomery Cty. P.L., Troy, N.C.Kirkus Reviews
Page Investigations, the limping brainchild of alcoholic ex- cop Lorraine Page (Cold Shoulder, 1996), is about to go belly-up—unless Lorraine and her buddies Rosie Hurst and Bill Rooney can find missing heiress Anna Louise Caley.The make-or-break case is a special challenge because Anna Louise, who grew up in Los Angeles, disappeared from New Orleans 11 months ago, right after a bare-knuckles fight with her best friend, Tilda Brown—and the ground's been endlessly trodden since then by the police and every shamus with an eye for a $100 million, the size of poor Anna Louise's trust fund. But Lorraine (an obvious Demi Moore role) talks her way into a two-week trial run, with a big fee up-front and a million-dollar bonus if she produces the missing teenager dead or alive, and promptly settles down to dig the dirt on the family circle. She convinces herself that self-dramatizing actress Elizabeth Seal Caley is injecting herself with Temazepam; that her developer husband Robert has one eye on adultery and the other on that idle trust fund; and that Anna Louise herself liked kinky sex as much as the next young American miss. Though her employers are less than overjoyed at these revelations, Lorraine, her associates still in tow, tags along on the Caleys' return trip to New Orleans, where she'll find a heady mix of gambling, voodoo, and an alarmingly industrious family of hardscrabble crooks. Despite the wholesale debauchery, La Plante's stilted dialogue and her heroine's nonstop attitudinizing (flirting, pining, and accusations seem to be her only weapons) kill any momentum, even when the gumbo hits the fan and corpses begin to spring out of the backdrop in every third scene.
Overstuffed, overemotional, and unforgivably overlong. A better bet for a fun evening or two would be your nearest AA meeting.