Overview
Gathered in this volume readers will find more than fifty years of poems by the incomparable Jack Gilbert, from his Yale Younger Poets prize-winning volume to glorious late poems, including a section of previously uncollected work.
There is no one quite like Jack Gilbert in postwar American poetry. After garnering early acclaim with Views of Jeopardy (1962), he escaped to Europe and lived apart from the literary establishment, honing his uniquely fierce, declarative style, with its surprising abundance of feeling. He reappeared in our midst with Monolithos (1982) and then went underground again until The Great Fires (1994), which was eventually followed by Refusing Heaven (2005), a prizewinning volume of surpassing joy and sorrow, and the elegiac The Dance Most of All (2009). Whether his subject is his boyhood in working-class Pittsburgh, the women he has loved throughout his life, or the bittersweet losses we all face, Gilbert is by turns subtle and majestic: he steals up on the odd moment of grace; he rises to crescendos of emotion. At every turn, he illuminates the basic joys of everyday experience.
Now, for the first time, we have all of Jack Gilbert’s work in one essential volume: testament to a stunning career and to his place at the forefront of poetic achievement in our time.
Finalist for the 2013 Pulitzer Prize for Poetry
Synopsis
Gathered in this volume readers will find more than fifty years of poems by the incomparable Jack Gilbert, from his Yale Younger Poets prize-winning volume to glorious late poems, including a section of previously uncollected work.There is no one quite like Jack Gilbert in postwar American poetry. After garnering early acclaim with Views of Jeopardy (1962), he escaped to Europe and lived apart from the literary establishment, honing his uniquely fierce, declarative style, with its surprising abundance of feeling. He reappeared in our midst with Monolithos (1982) and then went underground again until The Great Fires (1994), which was eventually followed by Refusing Heaven (2005), a prizewinning volume of surpassing joy and sorrow, and the elegiac The Dance Most of All (2009). Whether his subject is his boyhood in working-class Pittsburgh, the women he has loved throughout his life, or the bittersweet losses we all face, Gilbert is by turns subtle and majestic: he steals up on the odd moment of grace; he rises to crescendos of emotion. At every turn, he illuminates the basic joys of everyday experience.
Now, for the first time, we have all of Jack Gilbert's work in one essential volume: testament to a stunning career and to his place at the forefront of poetic achievement in our time.
Editorials
Dwight Garner
Mr. Gilbert's career-embracing Collected Poems is…a revelation, almost certainly among the two or three most important books of poetry that will be published this year. His poetry is helped, not hurt, by this context and relative abundance. Around this book's margins a scruffy and blood-warm autobiography emerges…Reading Mr. Gilbert's finest poems is like shaving with a razor that just nicks your skin. There's a slight imperfection in the blade. There's a bit of blood in the sink.—The New York Times
Steven Ratiner
…the release of [Gilbert's] Collected Poems gives us a chance to view the arching span of what he's created. At the heart, the power of a poet's work becomes a matter of penetration: How deeply does it insinuate itself into the core of our experience? Too often, I find myself reading verse in contemporary journals filled with bright surfaces and beautiful complexity, poems that, two minutes after the page is turned, I'll never think of again. By contrast, we continually return to the work of Jack Gilbert because he gets under our skin. Simply put, my own solitude would feel more desolate if it had not been fortified by an engagement with his.—The Washington Post