Home > Books > Comic Strips and Consumer Culture, 1890-1945
Literary Criticism - U.S. Fiction & Prose Literature - General & Miscellaneous, Popular Culture Art, Popular Culture - United States, Comic Books - History & Criticism
Comic Strips and Consumer Culture explores how comic strips contributed to the expansion of a mass consumer culture that was increasingly driven by visual images. He details how "Gasoline Alley" advocated the pleasures of the automobile and how 1920's working girl Winnie Winkle became determined to achieve a middle-class lifestyle. The invention of the comic book in the 1940s also produced a super-licensed Superman, whose girlfriend Lois Lane even went on a shopping spree during a period of wartime rationing. Comic strips emerged just as Americans were beginning to define themselves less by what they made and believed and more by what they bought. Ian Gordon shows that the most enduring role of the strips has been not only to mirror a burgeoning consumer culture but also to actively promote it.
About the Author, Ian Gordon
Ian Gordon is an associate professor in history and convenor of the American studies program at the National University of Singapore. He is the coeditor of Comics & Ideology (2001).
The Gordon book is a must read for any scholar interested in the question of popular culture.
Journal of American History
Gordon has done historians a service by recognizing the importance of popular visual sources as important clues to understanding American culture. And the book is not only informative but fun to read.