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Overview
In this fourth volume of a projected six, Huxley registers his deep misgivings about the course of history in the late 1930s as the world moved toward a second global war. Many of his essays reflect his continuing interest in the conventions of popular culture as well as the philosophy of science and history, particularly as they inform developments in art and politics. But his larger concerns oscillate between empirical science and the particulars of social history, on the one hand, and his need for a grounding of absolute truth that would transcend both. His critique of politics and the prevailing ideologies of fascism and capitalism overlaps with his attempt to locate a foundational truth in a world of change and diversity. He embraced a form of political pacifism that intersected with an increasing attraction to religious quietism and mysticism. And he made a sustained effort to reconcile mystical experience with contemporary theories of physics and the philosophy of science. At their best, Huxley's essays stand among the finest examples of the genre in modern literature. "A remarkable publishing event...beautifully produced and authoritatively edited."—Jeffrey Hart.
Synopsis
The fourth of six volumes collects essays that British social critic Huxley (1894-1963) wrote during a period that witnessed Germany's Anschluss with Austria, the Sudeten crisis, intensifying violence in the Spanish Civil War, Stalin's purges, Japan's invasion of China, and Mussolini's Ethiopian war. The collection includes all his published essays, in their latest version, and a selection of shorter reviews and brief occasional pieces. Few notes are provided.
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Atlantic Monthly
An important and admirable publishing venture exceptionally edited and organized.
Editorials
Atlantic Monthly
An important and admirable publishing event.Economist
Much to enjoy in these volumes...they are important as a document and a window on to the stage in the evolution of his mind.Los Angeles Times
He writes with an easy assurance and a command of classical and modern cross-references.— Christopher Hitchens
New Yorker
Huxley’s political writing is often deliberately perverse.— Leo Carey
The New Yorker
Huxley’s political writing is often deliberately perverse.— Leo Carey
Times Literary Supplement
The editors have done their job with commendable thoroughness.— P.N. Furbank