Overview
Lindsay Gordon, Scottish journalist and amateur sleuth, was the first creation of international bestseller Val McDermid. Report for Murder introduced the United Kingdom’s first lesbian detective, and the series has been perennially popular ever since. Lindsay is tenacious to the point of stubbornness, intrepid to the point of stupidity, and loyal to the point of laying her life on the line. With the support of friends, family, and lovers, she takes on the world with wit and brio, unraveling criminal conspiracies and unmasking murderers. She’s feisty, feminist, and funny.
Each novel plunges Lindsay into a different milieu. Report for Murder is set against the backdrop of an exclusive girls’ boarding school; Common Murder features a women’s peace protest, where feelings run deadly; Deadline for Murder forces Lindsay to confront the darker side of her own world of journalism; Conferences Are Murder explores the deadly underbelly of trade unionism; Booked for Murder lifts the lid on publishing, showing it’s no longer a gentleman’s game; and Hostage to Murder brings Lindsay face-to-face with child custody battles and the gangsters who inhabit the world of terrorism. The hallmark of McDermid’s novels is a compassionate understanding of human relationships and a shrewd insight into contemporary society.
The Lindsay Gordon novels have been published to great critical acclaim on both sides of the Atlantic. Booked for Murder, the fifth Lindsay Gordon mystery, was nominated for a Lambda Literary Award. McDermid has been praised for the way her storytelling interweaves the various elements of the novel into a seamless, balanced whole. “I don’t write about issues, I write about characters,” McDermid says. The books have won a wide general readership among fans of the mystery genre.
Val McDermid grew up in a Scottish mining community and read English at Oxford. She lives in northern England.
Synopsis
Lindsay Gordon, Scottish journalist and amateur sleuth, was the first creation of international bestseller Val McDermid. Report for Murder introduced the United Kingdom's first lesbian detective, and the series has been perennially popular ever since. Lindsay is tenacious to the point of stubbornness, intrepid to the point of stupidity, and loyal to the point of laying her life on the line. With the support of friends, family, and lovers, she takes on the world with wit and brio, unraveling criminal conspiracies and unmasking murderers. She's feisty, feminist, and funny.
Each novel plunges Lindsay into a different milieu. Report for Murder is set against the backdrop of an exclusive girls' boarding school; Common Murder features a women's peace protest, where feelings run deadly; Deadline for Murder forces Lindsay to confront the darker side of her own world of journalism; Conferences Are Murder explores the deadly underbelly of trade unionism; Booked for Murder lifts the lid on publishing, showing it's no longer a gentleman's game; and Hostage to Murder brings Lindsay face-to-face with child custody battles and the gangsters who inhabit the world of terrorism. The hallmark of McDermid's novels is a compassionate understanding of human relationships and a shrewd insight into contemporary society.
The Lindsay Gordon novels have been published to great critical acclaim on both sides of the Atlantic. Booked for Murder, the fifth Lindsay Gordon mystery, was nominated for a Lambda Literary Award. McDermid has been praised for the way her storytelling interweaves the various elements of the novel into a seamless,balanced whole. "I don't write about issues, I write about characters," McDermid says. The books have won a wide general readership among fans of the mystery genre.
Val McDermid grew up in a Scottish mining community and read English at Oxford. She lives in northern England.
Kirkus Reviews
Lindsay Gordon (Report for Murder, 1998, etc.), a Scottish teacher of journalism now based in California, has returned to Sheffield, England, to attend a journalists' conference concerned mostly with the business of unions. There's much to remind Lindsay of a conference in Blackpool nine years before—soon after the death from cancer of her lover Frances Collier. At that meeting Lindsay's friend and fellow editor Ian Ross had died in an auto accident soon after his breakup with longtime mistress Laura Craig, who's in attendance at Sheffield now—chic and sharp-tongued as ever. Lindsay's more at ease after the arrival of Dr. Sophie Harley, her latest lover, who's to give a lecture. The entire assemblage is intrigued by the appearance every night of a gossipy newsletter that, among other things, accuses Laura of being a spy for anti-union forces and accuses Tom (Union) Jack, General Secretary of the Amalgated Union of Media Workers, of skimming union funds. All this takes a backseat when Lindsay, returning to her room one night, discovers her window smashed and the body of Tom Jack on the ground ten floors below. With Lindsay a prime suspect but not yet charged, Lindsay and Sophie proceed to play detective, using endless questions, hypnosis, break-ins, the study of secret documents, etc. Their mostly dull, repetitive moves do finally pin down the killer and even uncover the author of the infamous newsletter. Long on talk, short on suspense: McDermid's fuzzy plot and the uninspired characters fall far short of some of her previous efforts. .