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Literary Theory - General & Miscellaneous, Philosophy - General & Miscellaneous, 18th Century German Philosophy - Kant
Constituting Critique: Kant's Writing as Critical Praxis by Willi Goetschel — book cover

Constituting Critique: Kant's Writing as Critical Praxis

by Willi Goetschel, Stanley Fish (Editor), Fredric Jameson (Editor), Eric J. Schwab
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Overview

Kant’s philosophy is often treated as a closed system, without reference to how it was written or how Kant arrived at its familiar form, the critique. In fact, the style of the critique seems so artless that readers think of it as an unfortunate by-product—a style of stylelessness. In Constituting Critique, Willi Goetschel shows how this apparent gracelessness was deliberately achieved by Kant through a series of writing experiments. By providing an account of the process that culminated in his three Critiques, this book offers a new perspective on Kant’s philosophical thought and practice.
Constituting Critique traces the stages in Kant’s development to reveal how he redefined philosophy as a critical task. Following the philosopher through the experiments of his early essays, Goetschel demonstrates how Kant tests, challenges, and transforms the philosophical essay in his pursuit of a new self-reflective literary genre. From these experiments, critique emerges as the philosophical form for the critical project of the Enlightenment. The imperatives of its transcendental style, Goetschel contends, not only constitute and inform the critical moment of Kant’s philosophical praxis, but also have an enduring place in post-Kantian philosophy and literature.
By situating the Critiques within the context of Kant’s early essays, this work will redirect the attention of Kant scholars to the origins of their form. It will also encourage contemporary critical theorists to reconsider their own practice through an engagement with its source in Kant.

Synopsis

Kant’s philosophy is often treated as a closed system, without reference to how it was written or how Kant arrived at its familiar form, the critique. In fact, the style of the critique seems so artless that readers think of it as an unfortunate by-product—a style of stylelessness. In Constituting Critique, Willi Goetschel shows how this apparent gracelessness was deliberately achieved by Kant through a series of writing experiments. By providing an account of the process that culminated in his three Critiques, this book offers a new perspective on Kant’s philosophical thought and practice.
Constituting Critique traces the stages in Kant’s development to reveal how he redefined philosophy as a critical task. Following the philosopher through the experiments of his early essays, Goetschel demonstrates how Kant tests, challenges, and transforms the philosophical essay in his pursuit of a new self-reflective literary genre. From these experiments, critique emerges as the philosophical form for the critical project of the Enlightenment. The imperatives of its transcendental style, Goetschel contends, not only constitute and inform the critical moment of Kant’s philosophical praxis, but also have an enduring place in post-Kantian philosophy and literature.
By situating the Critiques within the context of Kant’s early essays, this work will redirect the attention of Kant scholars to the origins of their form. It will also encourage contemporary critical theorists to reconsider their own practice through an engagement with its source in Kant.

Booknews

Translation of the German work (publication date not cited), which attempts to bring Kant's specifically literary quality to light. The approach is to minimize involvement in methodological problematics. The theme is Kant's development as a writer; inquiry is not restricted to the Critique of Pure Reason. A bibliographic essay is included. Annotation c. Book News, Inc., Portland, OR (booknews.com)

About the Author, Willi Goetschel

Willi Goetschel is Assistant Professor of German at Columbia University.

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Booknews

Translation of the German work (publication date not cited), which attempts to bring Kant's specifically literary quality to light. The approach is to minimize involvement in methodological problematics. The theme is Kant's development as a writer; inquiry is not restricted to the Critique of Pure Reason. A bibliographic essay is included. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Book Details

Published
January 1, 1994
Publisher
Duke University Press Books
Pages
256
Format
Hardcover
ISBN
9780822315346

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