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Literary Figures - Women's Biography, U.S. & Canadian Authors - Interviews, 20th Century American Literature - General & Miscellaneous - Literary Criticism, Women Authors - American (U.S.) - Literary Criticism, American Women - Literary Biography, U.S. Au
Conversations with Maya Angelou by Jeffrey M. Elliot — book cover

Conversations with Maya Angelou

by Jeffrey M. Elliot (Editor), Jeffery M. Elliot
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Overview

From Maya Angelou:
I decided many years ago to invent myself. I had obviously been invented by someone else–by a whole society– and I did't like their invention.

All those years in that little town in Arkansas, I learned through the literature. So much that when I later grew to be six feet tall, and at sixteen had a child and was unmarried, years later I decided that this is my world. My grandparents' and great grandparents' and great, great, great grandparents' blood and sweat enriched this soil. So this is my country.

The black writer in particular should throw out all of that propaganda and pressure, disbelieve everything one is told to believe and believe everything one is told not to believe. Start with a completely clean slate and decide, "I will put it out."

To begin with, if you're black and every model of beauty is either white or dark-skinned black, then it has to create some insecurity in a person like me, who couldn't conform. But I was blessed with the advantage of anger. It was a kind of hauteur. I could withdraw from such plebeian company and stand tall and sneer.

Synopsis

From Maya Angelou:
I decided many years ago to invent myself. I had obviously been invented by someone else–by a whole society– and I did't like their invention.

All those years in that little town in Arkansas, I learned through the literature. So much that when I later grew to be six feet tall, and at sixteen had a child and was unmarried, years later I decided that this is my world. My grandparents' and great grandparents' and great, great, great grandparents' blood and sweat enriched this soil. So this is my country.

The black writer in particular should throw out all of that propaganda and pressure, disbelieve everything one is told to believe and believe everything one is told not to believe. Start with a completely clean slate and decide, "I will put it out."

To begin with, if you're black and every model of beauty is either white or dark-skinned black, then it has to create some insecurity in a person like me, who couldn't conform. But I was blessed with the advantage of anger. It was a kind of hauteur. I could withdraw from such plebeian company and stand tall and sneer.

Booknews

Reprints and transcripts of over 30 interviews published in magazines and newspapers. A chronology of the writer/performers's life is included. Cloth edition ($25.95) not seen. Annotation c. Book News, Inc., Portland, OR (booknews.com)

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Editorials

Booknews

Reprints and transcripts of over 30 interviews published in magazines and newspapers. A chronology of the writer/performers's life is included. Cloth edition ($25.95) not seen. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Book Details

Published
March 1, 1989
Publisher
University Press of Mississippi
Pages
246
Format
Paperback
ISBN
9780878053629

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