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Modern Philosophy - 20th Century, Modern Aesthetics, Consumption - Economics, Popular Culture - General & Miscellaneous
Cute, Quaint, Hungry and Romantic by Daniel Harris — book cover

Cute, Quaint, Hungry and Romantic

by Daniel Harris
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Overview

First time in paperback: "An exhilarating collection by a brilliant writer…a penetrating observer of things so familiar that they're in danger of not being noticed."—Steven Millhauser.

Call it an encyclopedia of low—brow aesthetics. In Cute, Quaint, Hungry and Romantic, the writer whom Steven Millhauser called "the most original essayist since George Orwell" examines with devastating wit and in a style distinctly his own the contagious appeal of that which is not art, the uses of the useless, the politics of product design and advertising. Here is a psychic voyage into the aesthetic unconscious of the consumer, as well as "the perfect companion for any foray through Restoration Hardware or the freezer compartment at Dean & DeLuca" (Village Voice Literary Supplement). From teddy bears to Mars Bars to Leonardo DiCaprio, this is the refuse of consumerism unflinchingly—and very entertainingly—observed.

Author Biography: Daniel Harris is the author of The Rise and Fall of Gay Culture, a New York Times Notable Book in 1997. His essays have appeared regularly in Harper's, Salmagundi, and The Nation and have been included in The Anchor Essay Annual and Best American Essays. He lives in Brooklyn, New York.

About the Author, Daniel Harris

Daniel Harris is the author of The Rise and Fall of Gay Culture, a New York Times Notable Book in 1997. His essays have appeared regularly in Harper's, Salmagundi, and the Nation and have been included in the Anchor Essay Annual and Best American Essays. He lives in Brooklyn, New York.

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Editorials

Library Journal

Harris (The Rise and Fall of Gay Culture) examines the aesthetics of everyday items in this insightful analysis of popular culture. The author studies cuteness, quaintness, coolness, zaniness, and the futuristic in light of how these concepts are manipulated to maximize consumer appeal. For example, quaintness is used to "reproduce the past selectively, editing out its discomfort, inconvenience, misery, stench, and filth and concentrating instead on its carnal pleasures, its `warm and homey feelings.'" Thus, quaintness is manipulated to influence people to buy things that take them back to "the good old days." Considering the political aspects of how goods are designed and advertised, Harris concludes that consumerism results in disappointment and a sense that something is lacking, which only leads to further consumerism to fill the void. This action continues in a vicious cycle of unfulfilled wants and attempts to meet them. While Harris provides an insightful analysis of consumerism and the aesthetics of the everyday, this book is sometimes difficult to follow owing to the advanced nature of the language used and is only appropriate for academic libraries.--Mark Bay, M.D., Univ. of Houston Lib., TX Copyright 2000 Cahners Business Information.\

Book Details

Published
January 9, 2007
Publisher
MJF Books
Pages
270
Format
Applicable
ISBN
9781567318043

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