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English Fiction & Prose Literature - General & Miscellaneous - Literary Criticism, Adapted Screenplays, Literary Criticism - General & Miscellaneous, Writing - General & Miscellaneous, Literary Adaptations to Film
D. H. Lawrence on screen by Jane Jaffe Young β€” book cover

D. H. Lawrence on screen

by Jane Jaffe Young
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Overview

This study focuses on three highly acclaimed film adaptations of Lawrence's novels and short stories - Anthony Pelissier's haunting The Rocking-Horse Winner (1949). Jerry Wald's pictorially stunning Sons and Lovers (1960), and Ken Russell's daring Women in Love (1970). The author pinpoints in depth and detail how each filmmaker attempted (not always successfully) to replicate visually and aurally those elements of prose that produce the quintessentially Lawrentian style. A book for both specialists and general readers, D. H. Lawrence on Screen demonstrates just how crucial the cinematic translation of a writer's distinctive style is to the excellence of a film adaptation of his or her work.

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Editorials

Gene D. Phillips

A thoroughly researched analysis of three key film adaptations of Lawrence's fiction, emphasizing how each filmmaker sought to capture the novelist's unique prose style in reshaping the original stories for the screen. This intriguing study gives us fresh insights into the relationship of fiction and film, and is a genuine contribution to scholarship.

John Simon

Jane Jaffe Young has had the good idea to examine three film adaptations of fictions by D. H. Lawrence. As a scholar of both literature and film, she has a firm grasp of both mediums, matched by conscientious research into the making, reception, and evaluation of each work on both page and screen. Her analyses are sound, her assessments and exposition lucid, and her conclusions are of equal value to Lawrence scholars, film students, and all others who care about film and fiction and their fascinating interplay.

Booknews

Focuses on three highly acclaimed film adaptations of Lawrence's novels and short stories. Examines in detail how each filmmaker attempted, not always successfully, to replicate visually and aurally those elements of prose that produce the quintessentially Lawrentian style, demonstrating just how crucial the cinematic translation of a writer's distinctive style is to the excellence of a film adaptation of his or her work. A narrative series of b&w photos from each film is included. Annotation c. Book News, Inc., Portland, OR (booknew.com)

Book Details

Published
April 1, 1999
Publisher
New York : Peter Lang, c1999
Pages
351
Format
Hardcover
ISBN
9780820440477

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