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Danger and Beauty by Jessica Hagedorn — book cover

Danger and Beauty

by Jessica Hagedorn
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Overview

Hagedorn muses about love and sex, and probes with wry humor and sharp social satire the heart—and hearbreaks—of the immigrant experience.

"Jessica Hagedorn is one of the best of a new generation of writers who are making American language new and who in the process are creating a new American Literature."—Russell Banks

"[Hagedorn] sees her native land from both near and far, with ambivalent love, the only kind of love worth writing about."—John Updike

Jessica Hagedorn is a performance artist, poet, playwright, and formerly a commentator on NPR. Her novel, Dogeaters, won an American Book Award. Other books include the groundbreaking Charlie Chan Is Dead: An Anthology of Contemporary Asian American Fiction and The Gangster of Love.

A provocative collection of poetry and prose from the acclaimed author of Dogeaters. In the poems of Dangerous Music, Hagedorn celebrates music. Pet Food & Tropical Apparitions includes poems, stories, and a novella. The final section of the collection consists of previously unpublished prose and poetry.

Synopsis

Drawn from the essence of Latin soul and free jazz, rich evocations of the author's ancestral roots.

Publishers Weekly

In the grassroots tradition of her "satin sisters" Thulani Davis and Ntozake Shange, Hagedorn's latest book collects work written during her Bay Area sojourn in the early '70s (poems first published by Kenneth Rexroth to whom the book is dedicated) all the way to post-Septmeber 11 entries in her "New York Diary." Along the way, we encounter texts written for the page as well as the stage, the boundaries between verse and prose often traversed and blurred. As a Filipina-American, Hagedorn reminds us from the start that "There is a border/ One cannot cross/ Although the guards are not visible." Such rallying cries seem to come right out of the feminist politics of an Adrienne Rich, but add to that the street-smart culture of the Tenderloin and the riffs of North Beach jazz and you get some hauntingly jaunty rhythms: "born from the mouth of a tree/ the lullaby of joe loco/ and mongo/ turquoise eye/ the lullaby of patti labelle/ and the bluebells / flowers of her smile." While the collection is uneven, read as a sort of artistic diary (rather than a set of highly polished art objects) it is often quite moving, taking readers through the turns of a restless mind, "a fighter/ who confronts/ destiny." (May) Forecast: Hagedorn's 1990 novel, Dogeaters, won an American Book Award, was an NBA finalist and was the Before Columbus Foundation's Book of the Year; Hagedorn's theatrical adaptation of the book recently premiered at the Joseph Papp/Public Theater New York Shakespeare Festival. Sales should be strong as this well-produced book should reach fans of her fiction, and the performance and poetry circuits already know Hagedorn's work well. Copyright 2002 Cahners Business Information.

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Editorials

Publishers Weekly - Publisher's Weekly

From her earliest poems Hagedorn, whose first novel ( Dog eaters ) was nominated for a National Book Award, has concerned herself with music, pop culture, drugs and sex. But these themes cut across barriers--rich and poor, rock and jazz, straight and kinky, all viewed with a delightful humor. The most consistent aspect is the outsider's point of view. Her speakers are forever away from home; they never quite fit in: ``in new york / they ask me if i'm puerto rican / and do i live in queens?'' Hagedorn writes in an early poem, using lower-case letters as if to accent the speaker's sense of insignificance. This volume, in which the early poems and stories are reprinted from limited editions, offers readers fuller insights into the Filipino writer's vibrancy. But a handful of new pieces written during the past decade are some of her strongest work. ``Formalized / by middle age / we avoid crowds / but still / love music,'' she begins a poem that goes on to juxtapose the speaker's infant daughter's ``pink and luscious flesh'' with friends in El Salvador whose relatives are disappearing. The fun-loving persona of 20 years ago has developed a mature, distinctive vision. (Mar.)

Publishers Weekly

In the grassroots tradition of her "satin sisters" Thulani Davis and Ntozake Shange, Hagedorn's latest book collects work written during her Bay Area sojourn in the early '70s (poems first published by Kenneth Rexroth to whom the book is dedicated) all the way to post-Septmeber 11 entries in her "New York Diary." Along the way, we encounter texts written for the page as well as the stage, the boundaries between verse and prose often traversed and blurred. As a Filipina-American, Hagedorn reminds us from the start that "There is a border/ One cannot cross/ Although the guards are not visible." Such rallying cries seem to come right out of the feminist politics of an Adrienne Rich, but add to that the street-smart culture of the Tenderloin and the riffs of North Beach jazz and you get some hauntingly jaunty rhythms: "born from the mouth of a tree/ the lullaby of joe loco/ and mongo/ turquoise eye/ the lullaby of patti labelle/ and the bluebells / flowers of her smile." While the collection is uneven, read as a sort of artistic diary (rather than a set of highly polished art objects) it is often quite moving, taking readers through the turns of a restless mind, "a fighter/ who confronts/ destiny." (May) Forecast: Hagedorn's 1990 novel, Dogeaters, won an American Book Award, was an NBA finalist and was the Before Columbus Foundation's Book of the Year; Hagedorn's theatrical adaptation of the book recently premiered at the Joseph Papp/Public Theater New York Shakespeare Festival. Sales should be strong as this well-produced book should reach fans of her fiction, and the performance and poetry circuits already know Hagedorn's work well. Copyright 2002 Cahners Business Information.

Library Journal

Filipino American writer and performance artist Hagedorn, who was nominated for the National Book Award for her first novel, Dogeaters ( LJ 4/1/90), here offers early poems (1968-72); poetry and a short story from her first published work, Dangerous Music (Momos, 1975); poetry and prose originally published in 1981 as Pet Food & Tropical Apparitions; and new, previously unpublished material written between 1982 and 1992, including several ``performance texts.'' Hagedorn's major theme is the disillusionment of the immigrant, who is seduced by a superficial and violent American society. Laden with allusions to 1960s popular culture, Hagedorn's early work evokes that era, but her themes of isolation, exile, the drug-ridden violence of city life, and the emptiness of the American dream remain relevant. Her newer work is less penetrable, and the performance texts (such as ``Vulva Operetta'') do not resonate in written form as they may when presented orally. Although only about 35 pages are new, the other material is no longer in print. Recommended for contemporary literature collections. --Ellen Finnie Duranceau, MIT Lib.

Book Details

Published
March 1, 2002
Publisher
City Lights Books
Pages
240
Format
Paperback
ISBN
9780872863873

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