Alberto Manguel
The Danger Tree is a masterpiece. David Macfarlane is an architect of the past, building extraordinary memory mansions in which the reader feels eerily at home
Alice Munro
I've just discovered The Danger Tree and am stunned. It is so good
Booklist
Newspaper articles, family stories, official history, rumors and imagination all play their part in this stunning book, one of the best nonfiction titles of the year
Christopher Hitchens
Intense and beautiful...One of the finest and most intriguing miniature elegies that I have read in many a year
Jan Morris
An altogether remarkable, frequently funny, genuinely moving, and utterly original book
Jonathan Yardley
Not exactly history or autobiography or family memoir, but a mixture of all three that ends up being quite distinctly sui generis and quite indisputably lovely...[An] uncommonly wise and moving book
Kirkus Reviews
A remarkable and beautifully written book in which the rich stuff of family and local history join together to entertain, to instruct, and to move deeply
Michael Ignatieff
The Danger Tree is absolutely riveting: an extraordinary mixture of history, memory, fiction, and technique that succeeds at every level. I was touched, I was exhilarated, and I was thrilled to read a book that has risen to the challenge of recording...the past in all our hearts
Simon Winchester
The Danger Tree is a true masterpiece, a book that I want all of my friends, and all who I know and care for, to read and savor for years and years to come
Steve Jensen
Consistently brilliant...A breathtaking evocation of [Newfoundland's] cliffs and rocks and pines, and of the proud and passionate humanity peering out from the dour crags
KLIATT
The subtitle of Macfarlane's poetic presentation of early 20th-century Newfoundland and his mother's people is apt. The author liked the relatives' "talking in great, looping circles," and he tells their stories in similar style. Grandmother Goodyear, in an old-age hospital in Gander, receives visits from her family: "These people come in from out there. They are shapes mostly. They are like sails in her room." The story of the Goodyears begins and ends with chapters called "The Danger Tree." One tree near a Newfoundland river signals an early threat to the author's mother. The tree of chapter ten is overseas, near the river Somme, and marks the death of the third uncle, seemingly invincible Hedley, in the Great War that claimed strong Uncle Stan and young Uncle Ray. Macfarlane reminds his reader that there are inherited silences in this family that must be acknowledged and overcome, so the journey includes the Newfoundland history that surely influenced the Goodyears: the establishment of paper mills, the Gallipoli campaign, the slow inroads of modernism, the spread of tuberculosis, pirate lore, the disastrous seal hunt, and the battles of the Somme. The extraordinary journey ends near the old-age hospital of the opening pages, with the author viewing an ancient locomotive pulling up its own tracks, its usefulness done. Public librarians will want to consider this unusually beautiful book for their patrons looking for a challenging and satisfying presentation of family and heritage. It was originally published in Canada 10 years ago, and was called Come From Away in its first U.S. publication. Teachers of English and/or history should also be delighted to find and recommend sucha treasure to advanced students. KLIATT Codes: SA—Recommended for senior high school students, advanced students, and adults. 1991, Walker, 307p. illus., $13.95. Ages 16 to adult. Reviewer: Maureen K. Griffin; Teacher/Libn., Williams M.S., Chelsea, MA , September 2001 (Vol. 35 No. 5)
Booknews
Macfarlane tells the stories of his ancestors in Newfoundland in a vivid style, often using the point of view of the small boy he was when he first heard them, and including the larger-than-life embellishments of a child's imagination. Through this family's history we experience the hardships of the early 20th century in this remote province, whether caused by illness, nature, or WWI. Annotation c. Book News, Inc., Portland, OR (booknews.com)