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Dark Assassin (William Monk Series #15) by Anne Perry — book cover

Dark Assassin (William Monk Series #15)

by Anne Perry
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Overview

For countless readers, one of life’s great pleasures is the mesmerizing magic of a Victorian mystery by New York Times bestselling author Anne Perry. Her dramas of good and evil unfolding inside London’s lavish mansions and teeming slums hold us spellbound. Now, in Dark Assassin, she sweeps us into a darkly compelling world that we never dreamed existed.

A Thames River Police superintendent struggling to win the respect of his men, William Monk is on a patrol boat near Waterloo Bridge when he notices a young couple standing at the bridge railing, apparently engaged in an intense discussion. The woman waves her arms and places her hands on the man’s shoulders. A caress or a push? The man grasps hold of her. To save her or to kill her? Seconds later, the pair plunge to their death in the icy waters. Monk can’t help but wonder, was it an accident, a suicide, or a murder? It seems impossible to determine the truth, but haunted by the woman’s somber beauty, he is impelled to try.

Mary Havilland was her name, and she had planned to marry Toby Argyll, the fair-haired man who shared her fate. Mary’s father, an engineer employed by the Argyll Company, had recently died–a suicide, according to the police and Mary’s sister. But Mary’s friends tell Monk that she suspected her father had been murdered because of his stubborn insistence that the Argyll Company’s current project–the construction of a splendid new sewer system for the metropolis–was so badly flawed that it put the entire city in peril from flood and fire.

Monk is now faced with the mysteries of the three deaths. Aided by his intrepid wife Hester, he starts looking for answers and is soon treading a slippery path that takes him from the luxurious drawing rooms where powerful men hatch their unscrupulous plots to a world beneath the city where poor folk fight starvation. In nightmarish tunnels, Monk and Hester find true friends, among them Scuff, a young mudlark; Sutton the ratcatcher; and Snoot, Sutton’s clever terrier. For once, even Monk’s old enemy, Superintendent Runcorn, is on his side. As rainfall strains the fragile manmade underground, Monk must connect the clues before death strikes again.

With characters as vivid as Dickens’s, gripping courtroom scenes, breathless horrors beneath the earth, and a plot that twists and turns toward a stunning denouement, Dark Assassin is absolutely one of Anne Perry’s best.

About the Author, Anne Perry

ANNE PERRY is the bestselling author of the World War I novels No Graves as Yet, Shoulder the Sky, Angels in the Gloom, At Some Disputed Barricade, and We Shall Not Sleep; as well as five holiday novels: A Christmas Journey, A Christmas Visitor, A Christmas Guest, A Christmas Secret, and A Christmas Beginning. She is also the creator of two acclaimed series set in Victorian England. Her William Monk novels include Dark Assassin, The Shifting Tide, and Death of a Stranger. The popular novels featuring Thomas and Charlotte Pitt include Long Spoon Lane, Seven Dials, and Southampton Row. Her short story "Heroes" won an Edgar Award. Anne Perry lives in Scotland. Visit her website at anneperry.net.

Biography

Born in London in October 1938, Anne Perry was plagued with health problems as a young child. So severe were her illnesses that at age eight she was sent to the Bahamas to live with family friends in the hopes that the warmer climate would improve her health. She returned to her family as a young teenager, but sickness and frequent moves had interrupted her formal education to the extent that she was finally forced to leave school altogether. With the encouragement of her supportive parents, she was able to "fill in the gaps" with voracious reading, and her lack of formal schooling has never held her back.

Although Perry held down many jobs—working at various times as a retail clerk, stewardess, limousine dispatcher, and insurance underwriter—the only thing she ever seriously wanted to do in life was to write. (In her '20s, she started putting together the first draft of Tathea, a fantasy that would not see print until 1999.) At the suggestion of her stepfather, she began writing mysteries set in Victorian London; and in 1979, one of her manuscripts was accepted for publication. The book was The Cater Street Hangman, an ingenious crime novel that introduced a clever, extremely untidy police inspector named Thomas Pitt. In this way an intriguing mystery series was born…along with a successful writing career.

In addition to the Thomas and Charlotte Pitt novels, Perry crafts darker, more layered Victorian mysteries around the character of London police detective William Monk, whose memory has been impaired by a coach accident. (Monk debuted in 1990's The Face of a Stranger.) She also writes historical novels set during the First World War (No Graves as Yet, Shoulder the Sky, etc.) and holiday-themed mysteries (A Christmas Journey, A Christmas Secret, etc), and her short stories have been included in several anthologies.

Good To Know

Some fun and fascinating outtakes from our interview with Anne Perry:

The first time I made any money telling a story I was four and a half years old—golden hair, blue eyes, a pink smocked dress, and neat little socks and shoes. I walked home from school (it was safe then) with my lunchtime sixpence unspent. A large boy, perhaps 12 or 13, stopped me. He was carrying a stick and threatened to hit me if I didn't give him my sixpence. I told him a long, sad story about how poor we were—no food at home, not even enough money for shoes! He gave me his half crown—five times sixpence! It's appalling! I didn't think of it as lying, just escaping with my sixpence. How on earth he could have believed me I have no idea. Perhaps that is the knack of a good story—let your imagination go wild, pile on the emotions—believe it yourself, evidence to the contrary be damned. I am not really proud of that particular example!

I used to live next door to people who had a tame dove. They had rescued it when it broke its wing. The wing healed, but it never learned to fly again. I used to walk a mile or so around the village with the dove. Its little legs were only an inch or two long, so it got tired, then it would ride on my head. Naturally I talked to it. It was a very nice bird. I got some funny looks. Strangers even asked me if I knew there was a bird on my head! Who the heck did they think I was talking to? Of course I knew there was a bird on my head. I'm not stupid—just a writer, and entitled to be a little different. I'm also English, so that gives me a second excuse!

On the other hand I'm not totally scatty. I like maths, and I used to love quadratic equations. One of the most exciting things that happened to me was when someone explained non-Euclidean geometry to me, and I suddenly saw the infinite possibilities in lateral thinking! How could I have been so blind before?

Here are some things I like—and one thing I don't:

  • I love wild places, beech trees, bluebell woods, light on water—whether the light is sunlight, moonlight, or lamplight; and whether the water is ocean, rain, snow, river, mist, or even a puddle.

  • I love the setting sun in autumn over the cornstooks.

  • I love to eat raspberries, pink grapefruit, crusty bread dipped in olive oil.

  • I love gardens where you seem to walk from "room to room," with rambling roses and vines climbing into the trees and sudden vistas when you turn corners.

  • I love white swans and the wild geese flying overhead.

  • I dislike rigidity, prejudice, ill-temper, and perhaps above all, self-righteousness.

  • I love laughter, mercy, courage, hope. I think that probably makes me pretty much like most people. But that isn't bad.
  • Reviews

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    Editorials

    Publishers Weekly

    Colacci proves a fine choice as narrator of Perry's latest mystery. In this 15th William Monk adventure, the detective has barely settled into his new position as superintendent of the Thames River Police when he witnesses a young couple fall to their deaths from Waterloo Bridge. Was it suicide, accident or murder? To find the answer, Monk, assisted by his wife, Hester, undertakes an investigation that will take him from the upper realms of London society to the lower depths of the city's poor and homeless, each offering its own particular form of deadly danger. Perry is at her best when she writes about the class distinctions that defined and divided the class-conscious populace of the 19th century, and Colacci syncs perfectly with her as he slips easily from one colloquial accent to another, portraying the wide variety of city dwellers who made up the multitudes occupying London in 1864. Colacci's performance succeeds nicely in bringing the streets and drawing rooms of Monk's Victorian London to life. Simultaneous release with the Ballantine hardcover (Reviews, Jan. 23). (Apr.) Copyright 2006 Reed Business Information.

    Library Journal

    Perry's 15th William and Hester Monk title finds the Victorian detective joining the Thames River police. The tale opens with his witnessing young Mary Havilland and Toby Argyll falling from Waterloo Bridge to their deaths. Was it an accident, suicide, or murder? William learns that Mary's father recently committed suicide and that the deaths are tied to a massive construction project to create modern sewer lines beneath London's streets. Both William and Hester eventually make their way into the dangerous sewers in search of the truth. The various strands linking the story elements are even more complex than usual for Perry, and the atmosphere of the sewer subculture is compelling. As usual, David Colacci narrates with a mid-Atlantic accent but handles the cockney characters and the suspense quite well. Recommended for popular collections. Michael Adams, CUNY Graduate Ctr. Copyright 2006 Reed Business Information.

    Kirkus Reviews

    Inspector William Monk, now with Queen Victoria's River Police, serves a most unlikely function in his 15th case: eyewitness to a pair of mysterious deaths. As he and a crew patrol the Thames one chilly December night in 1863, Monk (Death of a Stranger, 2002, etc.) sees a man and woman arguing on Waterloo Bridge. As he watches in horror, the two go over the edge and into the icy waters, where they're drowned before Monk's men can reach them. Was it a hideous accident? Did Toby Argyll push his ex-fiancee Mary Havilland in deliberately? Or did she pull him in with her? This last fatal act remains mysterious, but there's no mystery about the events that led up to it: the shooting two months ago of Mary's father, who worked for Toby and his brother Alan, and growing evidence of corruption on the job at Argyll Brothers' extensive excavation of sewer lines the metropolis desperately needs. Despite an inventive sequence in which Monk's wife Hester Latterly takes a friend to confront a key witness, only to see her authority squelched in a deplorably ingenious way, the seesaw mystery of who killed Toby, Mary and James Havilland remains slight and unconvincing. Even so, the powerful image of subterranean skullduggery tirelessly proceeding beneath the heart of the city, brilliantly exploited in several key scenes, supplies just the right metaphor for the Victorian muckraking Perry might as well have patented.

    Book Details

    Published
    October 4, 2011
    Publisher
    Random House Publishing Group
    Pages
    352
    Format
    Paperback
    ISBN
    9780345514202

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