David Bowie - Starman

Publishers Weekly

Drawing upon more than 250 new interviews with friends of Bowie and on previously published interviews with Bowie, former Mojo editor affectionately chronicles the life and music of Bowie from his childhood and youth to the high points of his career, his recent heart attack and almost total disappearance from the music scene. By the time he was 11, Bowie's charm was developed, a trait that brought him the breaks and opportunities that his ever-active mind learned to exploit. Bowie emerges from Trynka's portrait as a less than consummate musician and more an ambitious individual who knew how to get exactly what he wanted from those around him. From the growling guitars of "Suffragette City" and the driving dance beats of "Young Americans" to the stuttering syncopation of "Fame" and the Beatles-like riffs of "Changes," Bowie, in Trynka's hands, is a man who has never settled for the predictable. The lack of any new interviews with Bowie, however, gives the biography the feel of a hagiography. (July)

Dwight Garner

British rock journalist Paul Trynka considers at length the Startling androgyny that made Bowie a defining human being of the 1970s....this book feels close to definitive....many moments in David Bowie: Starman made me lean forward with pleasure.
— The New York Times

Andy Greene

British rock journalist Paul Trynka captures seemingly every glitter-god pretension and Lycra outfit, interviewing scores of friends, bandmates and detractors. The result is the most complete and compelling portrait of Bowie's life ever assembled.
— Rolling Stone

Mark Paytress

With extensive research, a well judged reappraisal of the work, and an impressively nuanced approach to the drives that have motored the many lives of David Bowie, Paul Trynka has delivered a sharp, elegant and convincing volume on the man that brings freshness to a familiar story.
— Mojo

Ian Fortnam

Truly definitive... Trynka's second successive exemplar of the rock biographer's art.
— Classic Rock

Bill Baars

Something special...The book includes interviews with those who know Bowie best, from childhood friends to those working most closely with him today....This is a terrific book, and readers will be rushing to relisten to the artist's back catalog. Not to be missed.
— Library Journal

Chris Klimek

Rich in observations from the collaborators and lovers [Bowie] burned through with roughly equal ruthlessness, the book is thorough enough to satisfy all but the most obsessive acolyte.
— Dallas Morning News

Mark Baker

Paul Trynka's new book, BOWIE: STARMAN, ...a deeply researched and closely observed accounting of Bowie's life and career. Sure, there's plenty of sex and drugs and rock 'n' roll anecdotes. But Trynka takes us well beyond all that rock-star stuff and digs deeply into those peculiar confluences of gifted musical personnel and roiling creative juices that have produced Bowie's oeuvre.
— Paste

Maureen Callahan

Trynka hews to Bowie's own narrative...the author's musical credibility is unquestionable. For the rock fan, pop-culture junkie or curious passerby, there's plenty to be entertained by.
— New York Post

Library Journal

We seem to be in the golden age of David Bowie biographies; recent books by Marc Spitz (Bowie) and Kevin Cann (David Bowie: Any Day Now) are excellent, but Trynka's contribution is something special. Using over 250 new interviews, former Mojo magazine editor Trynka (Iggy Pop: Open Up and Bleed) focuses on Bowie the collaborator, showcasing his work with musicians like Brian Eno, Mick Ronson, John Lennon, and Freddie Mercury, to name just a few. Unlike many of Bowie's peers who developed their styles through years on the road or were content with a singular musical voice, he has reveled in collaboration, change, and avoiding the comfort zone. His rallying cry is "when everyone turns right, turn left," and the process of Bowie getting what he needs out of his musicians is absolutely fascinating. The book includes interviews with those who know Bowie best, from childhood friends to those working most closely with him today. VERDICT This is a terrific book, and readers will be rushing to relisten to the artist's back catalog. Not to be missed. [See Prepub Alert, 1/17/11.]—Bill Baars, Lake Oswego P.L., OR

Library Journal

Music journalist Trynka has already done Iggy Pop, so why not the Starman himself? He uses more than 300 fresh interviews to enliven the text. Buy wherever rock star bios glitter.

Kirkus Reviews

Everything you always wanted to know about the Thin White Duke.Everything.

Musically speaking, David Bowie never quite reached the critical or popular heights of fellow UK rockers the Beatles, the Rolling Stones, the Who and Led Zeppelin—granted, that was due in part to poor timing, as he came onto the scene at the tail end of the British Invasion. Yet despite his inconsistent catalog, he's managed to remain in the public consciousness for more than 40 years, which explains why he's proven to be a fascinating subject for long biographies. In 2009, Marc Spitz delivered the doorstopperBowie: A Biography, and Nicholas Pegg is set to releaseThe Complete David Bowie in late 2011. So does Ziggy Stardust merit all this coverage? Former Mojo editor Trynka offers an emphatic yes. The author gave Bowie's contemporary Iggy Pop the same treatment withIggy Pop: Open Up and Bleed (2008), an insanely in-depth, honest and readable biography. Here, Trynka once again covers it all—the music, the movies, the marriages, the shifting personae, the drugs, the drugs and the drugs—in a breezy, chatty style that often reads as a novel. The author remains objective about Bowie's music, most notably during his lengthy discussion about how much of a hand his sidemen played in the development and recording of his records, and the fact that Trynka isn't sycophantic about David's undeniably hit-and-miss discography helps legitimize the project. But despite its numerous positive attributes, the bookis exhaustive to a fault. By the time most readers are three-quarters of the way through, they'll probably want to listen to "Space Oddity" and "Heroes," then call it a day.

Bowie nerds will love it, and music nerds will admire it; regular nerds and most others will think it's about 150 pages too long.