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Overview
From the moment his mother tries unsuccessfully to coax him into saying "Philadelphia," Jeremy Zorn's life is framed by his unwieldy attempts at articulation. Through family rituals with his word-obsessed parents and sister, failed first love, an ill-fated run for class president, as the only Jewish boy on an otherwise all-black basketball team, all of the passages of Jeremy's life are marked in some way by his stutter and his wildly off-the-mark attempts at a cure. It is only when he enters college and learns his strong-willed mother is dying that he realizes all languages, when used as hiding places for the heart, are dead ones.
Sheild's witty tour de force is the story of a boy who stutters so badly that he grows to worship words.
Synopsis
"Shields is a talented writer, and in Dead Languages he explores fertile themes with intelligence and verbal energy."the New York Times
From the moment his mother tries unsuccessfully to coax him into saying "Philadelphia," Jeremy Zorn's life is framed by his unwieldy attempts at articulation. Through family rituals with his word-obsessed parents and sister, failed first love, an ill-fated run for class president, as the only Jewish boy on an otherwise all-black basketball team, all of the passages of Jeremy's life are marked in some way by his stutter and his wildly off-the-mark attempts at a cure. It is only when he enters college and learns his strong-willed mother is dying that he realizes all languages, when used as hiding places for the heart, are dead ones.
"As touching and funny a rendering of adolescence as The Catcher in the Rye. . . . Dead Languages speaks to everyone who has ever struggled to articulate an emotion and failed to find the words."Library Journal
"An astonishing and mordantly witty tour de force. David Shields, a virtuoso of the written word, manages to make the halting, self-conscious agonies of his stuttering hero into a metaphor for all our disjointed, doomed attempts at self-definition through connection. He has transcended his subject and written a book that will touch everyone who has suffered over the inadequacies of speech to sustain life and love."Lynne Sharon Schwartz
David Shield's other books are Remote, A Handbook for Drowning, and Heroes. His stories and essays have appeared in the New York Times Magazine, Harper's, Vogue, Details, the Village Voice, and Utne Reader. He lives in Seattle, where is a professor of English at the University of Washington.
Publishers Weekly
The story of a boy who stutters, at war with, yet entranced by, language, Shields's ( Heroes ) second novel is a bitingly funny cry from the heart and a mordant paean to the power of words. ``Sometimes my childhood seems . . . an endless series of . . . overwrought attempts to get beyond a voice that bothered me,'' reflects Jeremy Zorn, victim of a speech defect that becomes his life's animating principle. Snared by sibilants, reduced to social helplessness, like a modern-day Demosthenes he resolves to use language to ``rearrange the world.'' His handicap comes to seem emblematic of obstacles to communication in general, and helpful in dramatizing them: ``I thought it was my duty to insert into every conversation the image of its own absurdity,'' Jeremy contends, and his coming-of-age requires a comprehensive survey of the available means of verbal rebellion. They include ghetto slang; sign language; singing in the school chorus; debating; and Latin (which ``existed only on the page. . . . was always silent''). However, Jeremy's fitting, final choice of existential weapon is fiction. Shields flexes substantial intellectual muscle, yet powerfully sympathetic portraits of Jeremy, his family and their friends also account for the novel's vitality; all and sundry invite effervescently sarcastic comment from the stutterer. The frustration bred by his ``neurasthenic self-consciousness'' commands Jeremy to let off steam of a high order of hilarity, while driving him to search for his place in the world with uncommon, compelling ferocity. (Apr . )