Death Comes for the Archbishop
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Overview
Death Comes for the Archbishop sprang from Willa Cather's love for the land and cultures of the American Southwest. Published in 1927 to both praise and perplexity, it has since claimed for itself a major place in twentieth-century literature. The narrative follows Bishop Jean Latour and Father Joseph Vaillant, friends since their childhood in France, as they organize the new Roman Catholic diocese of Santa Fe subsequent to the Mexican War. While seeking to revive the church and build a cathedral in the desert, the clerics, like their historical prototypes, Bishop Jean Laury and Father Joseph Machebeuf, face religious corruption, natural adversity, and the loneliness of living in a strange and unforgiving land. The historical essay traces the artistic and spiritual development that led to its writing. The broad-ranging explanatory notes illuminate the elements of French, Mexican, Hispanic, and Native American cultures that meet in the course of the narrative, they also explain the part played by the land and its people - their history, religion, art, and languages.A narrative which recounts a life lived simply in the silence of the southwestern desert.
Synopsis
(Book Jacket Status: Jacketed)
Introduction by A. S. Byatt
Willa Cather’s story of the missionary priest Father Jean Marie Latour and his work of faith in the wilderness of the Southwest is told with a spare but sensuous directness and profound artistry. When Latour arrives in 1851 in the territory of New Mexico, newly acquired by the United States, what he finds is a vast desert region of red hills and tortured arroyos that is American by law but Mexican and Indian in custom and belief. Over the next four decades, Latour works gently and tirelessly to spread his faith and to build a soaring cathedral out of the local golden rock—while contending with unforgiving terrain, derelict and sometimes rebellious priests, and his own loneliness.
DEATH COMES FOR THE ARCHBISHOP shares a limitless, craggy beauty with the New Mexico landscape of desert, mountain, and canyon in which its central action takes place, and its evocations of that landscape and those who are drawn to it suggest why Cather is acknowledged without question as the most poetically exact chronicler of the American frontier.