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Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama by Christopher B. Balme β€” book cover

Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama

by Christopher B. Balme
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Overview

Decolonizing the Stage is a major study devoted to post-colonial drama and theater. It examines the way dramatists and directors from various countries and societies have attempted to fuse the performance idioms of their indigenous traditions with the Western dramatic form. The study provides a theoretically sophisticated, cross-cultural comparative approach to a wide number of writers, regions, and theater movements, ranging from Maori, Aboriginal, and native American theater to Township theater in South Africa.

Synopsis

Decolonizing the Stage is a major study devoted to post-colonial drama and theater. It examines the way dramatists and directors from various countries and societies have attempted to fuse the performance idioms of their indigenous traditions with the Western dramatic form. The study provides a theoretically sophisticated, cross-cultural comparative approach to a wide number of writers, regions, and theater movements, ranging from Maori, Aboriginal, and native American theater to Township theater in South Africa.

About the Author, Christopher B. Balme

University of Mainz

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Book Details

Published
May 1, 1999
Publisher
Oxford University Press, USA
Pages
320
Format
Hardcover
ISBN
9780198184447

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