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Denise Levertov: A Poet's Life by Dana Greene — book cover

Denise Levertov: A Poet's Life

by Dana Greene
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Overview

Kenneth Rexroth called Denise Levertov (1923–1997) "the most subtly skillful poet of her generation, the most profound, . . . and the most moving." Author of twenty-four volumes of poetry, four books of essays, and several translations, Levertov became a lauded and honored poet. Born in England, she published her first book of poems at age twenty-three, but it was not until she married and came to the United States in 1948 that she found her poetic voice, helped by the likes of William Carlos Williams, Robert Duncan, and Robert Creeley. Shortly before her death in 1997, the woman who claimed no country as home was nominated to be America's poet laureate. Levertov was the quintessential romantic. She wanted to live vividly, intensely, passionately, and on a grand scale. She wanted the persistence of Cézanne and the depth and generosity of Rilke. Once she acclimated herself to America, the dreamy lyric poetry of her early years gave way to the joy and wonder of ordinary life. By the late 1960s and early 1970s, however, her poems began to engage the issues of her times. Vehement and strident, her poetry of protest was both acclaimed and criticized. The end of both the Vietnam War and her marriage left her mentally fatigued and emotionally fragile, but gradually, over the span of a decade, she emerged with new energy. The crystalline and luminous poetry of her last years stands as final witness to a lifetime of searching for the mystery embedded in life itself. Through all the vagaries of life and art, her response was that of a "primary wonder." In this illuminating biography, Dana Greene examines Levertov's interviews, essays, and self-revelatory poetry to discern the conflict and torment she both endured and created in her attempts to deal with her own psyche, her relationships with family, friends, lovers, colleagues, and the times in which she lived. Denise Levertov: A Poet's Life is the first complete biography of Levertov, a woman who claimed she did not want a biography, insisting that it was her work that she hoped would endure. And yet she confessed that her poetry in its various forms--lyric, political, natural, and religious--derived from her life experience. Although a substantial body of criticism has established Levertov as a major poet of the later twentieth century, this volume represents the first attempt to set her poetry within the framework of her often tumultuous life.

About the Author, Dana Greene

 Dana Greene is Dean Emerita of Oxford College of Emory University. Her other books include Evelyn Underhill: Artist of the Infinite Life and The Living of Maisie Ward.

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Editorials

From the Publisher

"Aptly titled A Poet's Life, this biography gives due attention to Levertov's work and the woman who wrote it."--Washington Times

 "This impressive study is the first complete biography of [Denise Levertov]."--Library Journal

"Greene succeeds in showing how Levertov's poetic development was a kind of spiritual quest ... a complete and balanced view of the life of this major literary figure."--Today's American Catholic

"Greene's book is filled with 20th-century poets--and Catholic spiritual leaders who peopled the church before, during and after the Second Vatican Council.  To be read and savored."--National Catholic Reporter

 "Greene has done us all a service with this much awaited and essential portrait of a major figure in American Literature. . . . Greene does a brilliant job of identifying this lifelong spiritual quest of Levertov as a central movement of her life, and connects these deep personal ties to family to the poems, thus revealing the life through the work and the work through the life. . . . Greene creates exactly the kind of biography that Levertov would have wanted--and we so needed."--New York Journal of Books

"At the heart of Dana Greene's portrait of Denise Levertov is the poet's conviction that the essential human faculty is the imagination and that the artist's life is 'one of obedience to vocation.' Considering each stage of the poet's life, Greene writes with clarity and grace of Levertov's intertwined active outer life and her contemplative, imaginative, emotional inner life. A thoughtful, sensitive, sensible reading of Levertov's life and work."--Harry Marten, author of Understanding Denise Levertov

Library Journal

Levertov (1923–97) gained stature as a poet at a time when relatively few women won recognition in that field. Greene (Evelyn Underhill: Artist of the Infinite Life) shows how joy and sorrow combined to form the central theme of Levertov's turbulent life as well as the organizing principle of her art. Born in England to a Welsh mother and a Russian Jewish father turned Anglican clergyman, Levertov never identified with any one culture. After marrying an American, she moved to the States, where she became associated with the Black Mountain poets. Greene chronicles Levertov's political activism beginning during the Vietnam War, which adversely affected her reputation as a poet, and traces her religious development from agnosticism to belief, as reflected in her later works. The book examines Levertov's work in the context of her life to show how her poetic development was a kind of spiritual quest. VERDICT While it will be primarily of interest to scholars, this impressive study is the first complete biography of its subject. The extensive bibliography lists interviews, literary criticism, letters and reminiscences as well as Levertov's own works, including her Tesserae: Memories and Suppositions.—Denise J. Stankovics, formerly with Rockville P.L., Vernon, CT

Kirkus Reviews

A major poet of the 20th century receives her first biography. One of a mere handful of women to appear in Donald Allen's anthology, New American Poetry, 1945-1960, Denise Levertov (1923–1997) remains an influential and controversial figure in American poetry, both for her art and her politics. While perhaps less well-known than her confessional female contemporaries Sylvia Plath and Anne Sexton, Levertov pursued a variety of techniques over the span of five decades, alternately crafting lyrical love poems, anti-war diatribes and spiritual odes. Her 1948 arrival in the United States from her native England heralded a major breakthrough, as she received the support of established poets like William Carlos Williams, Kenneth Rexroth and Robert Duncan. Although American poetry operated as a sort of boys' club at that time, Levertov earned a hard-won place in the journals, anthologies and publishing houses that brought her to prominence. Greene (Dean Emerita/Oxford College of Emory Univ.; The Living of Maisie Ward, 1997, etc.) shows, however, that personal relationships often fractured under the intensity of Levertov's personality. Her 25-year correspondence with Duncan ended on a sour note when he claimed that her vehement protest against the Vietnam War was making her poetry shrill and didactic. When that war, along with Levertov's unhappy marriage, finally ended in 1975, she began writing more contemplative poems that engaged with the natural world as well as with the divine mystery that had imbued her childhood. Influenced by her father's Hasidic Judaism and his conversion to Christianity, Levertov had always felt a dual spiritual-sensual connection with her environment. While her emotional life continued to be tumultuous up until her death, her poems gradually gained the mastery that her earliest work had prophesied. This compelling study deftly blends personal details with consideration of the poet's craft.

Book Details

Published
September 14, 2012
Publisher
University of Illinois Press
Pages
328
Format
Hardcover
ISBN
9780252037108

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