Overview
In this study of the poetry of Emily Dickinson, David Porter returns to Dickinson's actual manuscripts and written words, finding there a poet less formal, more forthright, and more modern than most readers have recognized.
By concentrating on the manuscripts themselves, Porter helps us penetrate the print she did not authorize - "with its straight lines and capitals, its even margin and spacing, its stanzaic regularity, its visual definiteness."
Coupled with his close reading of the texts, Porter's conceptual originality and warm sympathy open up whole vistas in Dickinson's poetry. He is keenly sensitive not only to what is present in her work but also to what is absent. Indeed, he argues, "absence and omissions constitute Dickinson's deepest originality." By concentrating on the absence that exists at every level of her life and work, as well as on the sharp physicality of her manuscripts, Porter is able to illuminate many mysteries of Dickinson's career.
Synopsis
In this study of the poetry of Emily Dickinson, David Porter returns to Dickinson's actual manuscripts and written words, finding there a poet less formal, more forthright, and more modern than most readers have recognized.
By concentrating on the manuscripts themselves, Porter helps us penetrate the print she did not authorize - "with its straight lines and capitals, its even margin and spacing, its stanzaic regularity, its visual definiteness."
Coupled with his close reading of the texts, Porter's conceptual originality and warm sympathy open up whole vistas in Dickinson's poetry. He is keenly sensitive not only to what is present in her work but also to what is absent. Indeed, he argues, "absence and omissions constitute Dickinson's deepest originality." By concentrating on the absence that exists at every level of her life and work, as well as on the sharp physicality of her manuscripts, Porter is able to illuminate many mysteries of Dickinson's career.