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Natural History - General & Miscellaneous, Natural Literature & History, Evolution
Dinosaur in a Haystack: Reflections in Natural History by Gould, Stephen Jay β€” book cover

Dinosaur in a Haystack: Reflections in Natural History

by Gould, Stephen Jay
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Overview

Gould's seventh collection of essays covers a wide range of subjects in natural history, literature, and popular culture--from the wisdom of Charles Darwin to that of the Old Testament Psalms, from the dinosaurs of Jurassic Park to the dinosaurs of the latest scientific theories, from the thwarted humanity of the Frankenstein monster to the inhuman fallacies of eugenics and other pseudoscience. With black and white illustrations.

"Here is a new collection of Gould's unexpected connections between evolution and all manner of subjects, literature high among them. Gathered from his monthly column in Natural History magazine, these articles should delight, surprise, and inform his vast readership, as have his six prior volumes of essays. Somehow the light bulb pops on every month as his deadline approaches, some glowing fact pulled out of memory--often a line from Shakespeare or Tennyson--that illumines a                    generality Gould wishes to discuss. "Nature, red in tooth and claw" (Lord Alfred's line) induces dilations on the extent science can inform moral matters (not much, Gould believes); a remembrance of the infamous Wansee protocol prompts Gould's denunciation of the genocidal looting of evolutionary theory and, by extension, its vulnerability to ignoramuses in general. These two examples of the Gouldian essay method, fortunately, don't foreshadow a gloomy parade of topics: Gould can as easily alight at the fun house where mass culture absorbs ideas about evolution through movies of monsters run amok from Frankenstein to Jurassic Park. In other essays, he plunges directly into matters of evolutionary interpretation but customarily employs a literary twist: who else but Gould could link Edgar Allan Poe with his own area of professional eminence, the paleontology of snails? A discovery awaits in every essay--in every haystack--which solidifies Gould as one of the most eloquent science popularizers writing today."
--Booklist

Award-winning, bestselling author, evolutionary biologist, and paleontologist Stephen Jay Gould takes the art of the essay to an unprecedented height of excellence in this vibrant new collection of writings on science and natural history. From fads to fungus, baseball to beeswax, Gould always circles back to the great themes of time, change, and history, carrying readers home to the centering theme of evolution. Illustrations.

About the Author, Gould, Stephen Jay

Stephen Jay Gould was the Alexander Agassiz Professor of Zoology at Harvard University and Vincent Astor Visiting Professor of Biology at New York University. A MacArthur Prize Fellow, he received innumerable honors and awards and wrote many books, including Ontogeny and Phylogeny and Time's Arrow, Time's Cycle (both from Harvard).

Biography

Harvard paleontologist Stephen Jay Gould was arguably the leading science writer for the contemporary literate popular audience. His explications of evolutionary theory and the history of science are peppered with oddball cultural and historical references, from Joe DiMaggio's hitting streak to Catherine the Great's middle name. But Gould insisted that his work wasn't dumbed-down for nonscientists.

"I sort of operate at one end of what's called popular science," he told a Salon interviewer. "Not because I don't appreciate the other end, I just wouldn't do it well, somehow. But the end I operate on really doesn't sacrifice any complexity -- except complexity of language, of course, complexity of jargon. But I like to think that my stuff is as conceptually complex as I would know how to write it for professional audiences."

In 1972, Gould and fellow paleontologist Niles Eldredge shook up the field of evolutionary theory with their idea of "punctuated equilibrium," which suggests that the evolution of a species is not gradual and continual, but marked by long periods of stasis and brief bursts of change. Over the next several decades, Gould would continue to develop his critique of evolutionary theory, questioning assumptions about evolutionary progress and provoking debates with the likes of evolutionary psychologist Steven Pinker, philosopher Daniel Dennett and evolutionary biologist Richard Dawkins.

From early on in his career, Gould was interested in reviving the scientific essay, in the tradition of Galileo and Darwin. Gould began writing a series of monthly essays for Natural History, the magazine of the American Museum of Natural History. Published as "This View of Life," the well-received essays addressed a broad range of topics in the biological and geological sciences. In his essays, Gould not only explained scientific facts for the lay reader, he critiqued the shortcomings of certain scientific viewpoints and the cultural biases of particular scientists.

Armed with a historical view of evolutionary theory, he tackled the problem of human intelligence testing in The Mismeasure of Man (1981). The book won a National Book Critics' Circle Award, while a collection of essays, The Panda's Thumb (1980), won the American Book Award. Together the books established Gould's presence as one of the country's most prominent science writers.

Gould's popularity continued to widen with the publication of such unlikely bestsellers as Wonderful Life: The Burgess Shale and the Nature of History (1989), which challenged the notion that humans are the necessary endpoint of evolutionary history. "Not only does [Gould] always find something worth saying, he finds some of the most original ways of saying it," The New York Times said in its review of Bully for Brontosaurus (1993), another collection of essays.

In 1998, Gould was elected president of the American Association for the Advancement of Science, and his description of that office could apply to his whole life's work. He pledged to "make people less scared of science so they won't see it as arcane, monolithic, and distant, but as something that is important to their lives." Stephen Jay Gould died in May of 2002 of cancer.

Good To Know

In a Mother Jones interview, Gould mentioned that he was teased as a child for his fascination with paleontology. The other kids called him "fossil face." Gould added, "The only time I ever got beat up was when I admitted to being a Yankee fan in Brooklyn. That was kind of dumb."

Gould was diagnosed in 1982 with abdominal mesothelioma, a rare form of cancer. In one of his most famous essays, "The Median Isn't the Message," he explained how statistics are often misinterpreted by nonscientists, and why the grim statistics on his own disease -- with a median mortality of eight months, at that time -- didn't deter him from believing he would live for many more years. "[D]eath is the ultimate enemy -- and I find nothing reproachable in those who rage mightily against the dying of the light," he wrote. He died in May 2002 -- 20 years after his diagnosis.

Gould made a guest appearance as himself on The Simpsons in 1997, participating in a town debate over the authenticity of an "angel skeleton" found in Springfield.

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Editorials

New York Times Book Review

[Gould] writes in a consistently graceful, approachable style, with easy elegance and clarity, and he is an incomparable explainer of difficult ideas.

β€” Phillip Lopate

Publishers Weekly - Publisher's Weekly

In his seventh volume of witty and erudite essays, Gould casts a wide net, though he always returns to the central theme of evolution. His topics are diverse: Edgar Allan Poe's bestseller, a textbook on shells; Alfred, Lord Tennyson's In Memoriam as an account of the psychology of mourning; the infamous Wannsee Protocol, Hitler's plan for the ``final solution of the Jewish question.'' Gould is a master of making connections-Linnaeus and Erasmus Darwin (Charles's grandfather), the Razumosky brothers, Aleksei and Andrei; King Lear and the importance of negative results. He discusses evolutionary spin-doctoring, fossil whales, movies (Jurassic Park), museums and theme parks. As might be expected, Gould takes a swipe at creationists. Dinosaur measures up in every way to Bully for Brontosaurus; readers will not be disappointed. Illustrations. (Jan.)

Library Journal

Gould (e.g., Bully for Brontosaurus, Audio Reviews, LJ 3/1/92) is an evolutionary biologist and self-styled "essay machine" who loves "to learn the details and the reasons of people's lives and Nature's ways." This sampling from his seventh harvest of pieces written monthly for Natural History magazine cannot be judged by its cover, for it is packaged abominably. Obnoxious jargon, printed in unreadable type, advertises subjects "from fads to fungus, baseball to beeswax," but the essays aren't listed. The inside, too, is uninformative, promoting six additional titles by the producer. Once the cassettes are picked up off the floor, where the open box deposits them, the labels will provide no hint of what they contain. After enduring superfluous music, the listener is, at last, rewarded with Gould's erudite opinion. It often seems to reflect a single trip to the library, focusing, as it does, on some neglected piece of writing, and listeners may wish that Gould went out more. Also, Gould can be interesting without being convincing and, unless one shares his obsessions, convincing without being interesting. But he upholds an important tradition, and actor Efrem Zimbalist Jr. (better than conarrator Meredith MacRae) captures admirably the intellectual zest of these reflections. Once the package is replaced, this is a good introduction to Gould's work. For most serious collections.-Peter Josyph, New York

Booknews

A collection of 34 essays, most originally published in Natural History magazine, in which the renowned evolutionary biologist and paleontologist muses on evolution, time, change, and history. Some intriguing topics addressed include why images of snails were printed backward in 17th century treatises on conchology and why schoolchildren are falsely taught that in the Middle Ages people thought the earth was flat. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Book Details

Published
October 1, 2011
Publisher
Harvard University Press
Pages
496
Format
Paperback
ISBN
9780674061606

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