Disobedience

Alice Notley has earned a reputation as one of the most challenging and engaging radical female poets at work today. Her last collection, Mysteries of Small Houses, was a finalist for both the Pulitzer Prize in poetry and the Los Angeles Times Book Prize. Structured as a long series of interconnected poems in which one of the main elements is an ongoing dialogue with a seedy detective, Disobedience sets out to explore the visible as well as the unconscious. These poems, composed during a fifteen-month period, also deal with being a woman in France, with turning fifty, and with being a poet, and thus seemingly despised or at least ignored.

Author Biography: Alice Notley was born in Bisbee, Arizona, in 1945 and grew up in Needles, California. After a period of peripatetic traveling, she married poet Ted Berrigan. She has published more than twenty books and has been an important force in the eclectic second generation of the so-called New York School of poetry.

Publishers Weekly

After many years as an independently published poet, Notley did two stellar books with Penguin in the '90s: the 1996 long-poem, Descent of Alette, and 1998's Pulitzer runner-up, Mysteries of Small Houses, recounting, among other things, Notley's marriage to the late poet Ted Berrigan. This huge third Penguin volume from Notley outshines its predecessors, a tall order indeed. Like Alette, Disobedience is a long, serial, subterranean journey, taking on the search for spiritual life in a corporatized society and anger at persistent male dominance. Along the way, it crosses the worlds of the living and the dead, the real and the imaginary, the particular and the symbolic, vacating everyday life of its assigned non-meanings and granting them wild, personal resonances: "I don't want to create meaning;/ I want to kill it / You made meaning; I'm/ trying to make life stand still,/ long enough so I can exist./ I, truly, am speaking." Many fictional elements crop up, such as a character who is variably named Hardwood, Hardware, Hardon or Mitch-ham (after the actor Robert Mitchum), moving in and out of focus as the stream of thought determines. Hardwood, who at times appears to be a stand-in for Notley's late second husband, the poet Douglas Oliver, seems at others to be an interior persona, the "hard," even male, aspect of her own psyche that she uses to power her defenses against the world. The naturalness of Notley's idiom, the distinctive and uncompromising perspective of her thought, the almost Rimbaudian zeal to break free of convention, the sense that she is, after all, very vulnerable in her struggle all these contradictory elements fire Notley along a comet's path of spiritual discontent.This book traces its arc beautifully. (Oct.) Forecast: A near-miss last time around, Notley should garner at least one major prize nomination for this accessible, fast-moving epic. Magazine items will focus on Notley's two poetic marriages, but young protesters will find this book a contemplative inspiration, while Notley's peers will recognize the hard-won knowledge of a long spiritual search. Copyright 2001 Cahners Business Information.