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Overview
WITH BILL MAHER, ITS NEVER POLITICS AS USUAL!
Conservatives know what they want and they never forget it. Except for the time Reagan went to the Vietnam Memorial and shouted, Gorbachev, tear down this wall!
Heidi Fleiss and Dr. Kevorkian [are] two visionaries of American social life, the queen and king of coming and going.
The Packwood diaries must be pretty racy, because most of the people who read them apparently cannot wait to get to the bottom of the next page. Which, of course, was Packwoods problem, too.
"Politically Incorrect is almost single-handedly reviving political satire. . . . [It] has pulled off the rare trick of being irreverent without being irrelevant."
The New York Times
"A funny collection of jibes, jokes and tidbits from his hilarious late-night show."
Playboy
Synopsis
WITH BILL MAHER, ITS NEVER POLITICS AS USUAL!
Conservatives know what they want and they never forget it. Except for the time Reagan went to the Vietnam Memorial and shouted, Gorbachev, tear down this wall!
Heidi Fleiss and Dr. Kevorkian [are] two visionaries of American social life, the queen and king of coming and going.
The Packwood diaries must be pretty racy, because most of the people who read them apparently cannot wait to get to the bottom of the next page. Which, of course, was Packwoods problem, too.
"Politically Incorrect is almost single-handedly reviving political satire. . . . [It] has pulled off the rare trick of being irreverent without being irrelevant."
The New York Times
"A funny collection of jibes, jokes and tidbits from his hilarious late-night show."
Playboy
Library Journal
Comedy Central channel's premier talk show, Politically Incorrect, appears to have single-handedly revived political satire on television. Acerbic host Maher supplies an eclectic assortment of guests, who are goaded into quibbling, arguing, and shouting about everything from gays in the military to violence in the media. While the television show is a refreshing breath of topnotch satire, Maher's attempt to capture the essence of individual programs in this compilation of commentaries falls short of the mark. Maher has assembled some of the program's most memorable highlights, but outside the context of the programs, his tongue-in-cheek observations seem less interesting. Still, the book provides a useful record of individual programs, broadcast dates, and guests. That, coupled with the show's popularity, would make it a reasonable purchase for most libraries.Joe J. Accardi, Northeastern Illinois Univ. Lib., Chicago