Overview
In a distant future where the Chinese have seized control of the world and colonised the stars, a disgraced naval captain and a commando who knows secrets he should never have learned are picked to lead a suicide mission. Piloting a salvaged Mexica spacecraft to Xolotl, the asteroid stronghold of their enemies, they are armed with enough explosives to reduce the Mexica base to dust. But when they arrive to find dozens of Chinese prisoners destined to be used as human sacrifices, their suicide mission suddenly becomes a rescue operation. This is a clash of empires old and new.
Synopsis
In a distant future where the Chinese have seized control of the world and colonised the stars, a disgraced naval captain and a commando who knows secrets he should never have learned are picked to lead a suicide mission. Piloting a salvaged Mexica spacecraft to Xolotl, the asteroid stronghold of their enemies, they are armed with enough explosives to reduce the Mexica base to dust. But when they arrive to find dozens of Chinese prisoners destined to be used as human sacrifices, their suicide mission suddenly becomes a rescue operation. This is a clash of empires old and new.
Publishers Weekly
Roberson's latest (after Set the Seas on Fire) takes a standard Dirty Dozen plot that contrasts awkwardly with its ornate Chinese vs. Aztec interplanetary milieu. Two of the Dragon Empire's dissident officers, space captain Zhuan Jie and troop commander (or "bannerman") Yao Guanzhong, are tapped to infiltrate and destroy an enemy asteroid base. But before they can blow up the rock, they must first master their squadron of outcasts and improvise the rescue of dozens of prisoners marked for blood sacrifice. Cogently choreographed action and vividly drawn opposing cultures are intriguing (for instance, Mexica spacecraft are hardwired to work only when primed with human blood) but Roberson's subtly distant tone, heavy-handed foreshadowing and narrow focus leave readers struggling to properly grasp the larger conflict. Tight, fully resolved character arcs leave few direct openings for the epic series the book supposedly begins. There's potential here, but little polish and less context. (Feb.)
Copyright 2007 Reed Business InformationEditorials
Publishers Weekly
Roberson's latest (after Set the Seas on Fire) takes a standard Dirty Dozen plot that contrasts awkwardly with its ornate Chinese vs. Aztec interplanetary milieu. Two of the Dragon Empire's dissident officers, space captain Zhuan Jie and troop commander (or "bannerman") Yao Guanzhong, are tapped to infiltrate and destroy an enemy asteroid base. But before they can blow up the rock, they must first master their squadron of outcasts and improvise the rescue of dozens of prisoners marked for blood sacrifice. Cogently choreographed action and vividly drawn opposing cultures are intriguing (for instance, Mexica spacecraft are hardwired to work only when primed with human blood) but Roberson's subtly distant tone, heavy-handed foreshadowing and narrow focus leave readers struggling to properly grasp the larger conflict. Tight, fully resolved character arcs leave few direct openings for the epic series the book supposedly begins. There's potential here, but little polish and less context. (Feb.)
Copyright 2007 Reed Business Information