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Book cover of Drawing in the Sand: A Story of African American Art
Performing Arts - General & Miscellaneous, Art - General & Miscellaneous, Artists, African American Studies, Artists, Architects & Craftsmen - Biography, African American - Biography - General

Drawing in the Sand: A Story of African American Art

by Jerry Butler
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Overview

When Jerry Butler was growing up in the segregated South, he thought he was going to be the first African American artist. Only later did he learn about the long and beautiful tradition that preceded him. Here, he combines the story of his own artistic journey with the struggles and triumphs of important black American artists such as Henry O. Tanner, Edward Bannister, Augusta Savage, and Jacob Lawrence. Part history, part art book, part memoir, this one-of-a-kind work completes our African American history trilogy.

Describes Jerry Butler's development as an artist and his discovery of the long and beautiful tradition of Afro-American art that preceded him.

Synopsis

When Jerry Butler was growing up in the segregated South, he thought he was going to be the first African American artist. Only later did he learn about the long and beautiful tradition that preceded him. Here, he combines the story of his own artistic journey with the struggles and triumphs of important black American artists such as Henry O. Tanner, Edward Bannister, Augusta Savage, and Jacob Lawrence. Part history, part art book, part memoir, this one-of-a-kind work completes our African American history trilogy.

Publishers Weekly

First-time author Butler (illustrator of Sweet Words So Brave: The Story of African American Literature) brings together his memories of growing up a fledgling artist in Magnolia, Miss., with brief biographies of 15 African-American artists (an additional 17 are listed at the end) who overcame racial and economic barriers to pursue their art. Butler warmly tells of how, from a young age, he would draw "in the red, sandy dirt between the pecan and oak trees in our yard," and of the enormous influence of his Grand Mo Lu, who got him work as a church muralist and told him about other black artists. Butler also spotlights a conflict that he believes divides black artists to this day: whether to make art for their community or to be free to take on a variety of subjects for a multiracial audience. Photos, Butler's own artwork and well-chosen examples of works by Augusta Savage, Jacob Lawrence, Romare Bearden and others create interesting visual juxtapositions. However, the different threads of the text (biographies of the artists are set off from Butler's narrative in tinted boxes) are poorly laid out, making it difficult for readers to follow the various sections from one page to the next. Bold type on large bands of bright colors and intermittent blocky neon type compete with these other elements and have a jarring effect. Despite the complicated and confusing layout, however, readers of all ages will likely find inspiration in the lives Butler has chosen to highlight. In telling a story of African-American art, this book chronicles the universal, enduring quality of creative imagination. Ages 8-up. (Feb.)

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Editorials

Publishers Weekly - Publisher's Weekly

First-time author Butler (illustrator of Sweet Words So Brave: The Story of African American Literature) brings together his memories of growing up a fledgling artist in Magnolia, Miss., with brief biographies of 15 African-American artists (an additional 17 are listed at the end) who overcame racial and economic barriers to pursue their art. Butler warmly tells of how, from a young age, he would draw "in the red, sandy dirt between the pecan and oak trees in our yard," and of the enormous influence of his Grand Mo Lu, who got him work as a church muralist and told him about other black artists. Butler also spotlights a conflict that he believes divides black artists to this day: whether to make art for their community or to be free to take on a variety of subjects for a multiracial audience. Photos, Butler's own artwork and well-chosen examples of works by Augusta Savage, Jacob Lawrence, Romare Bearden and others create interesting visual juxtapositions. However, the different threads of the text (biographies of the artists are set off from Butler's narrative in tinted boxes) are poorly laid out, making it difficult for readers to follow the various sections from one page to the next. Bold type on large bands of bright colors and intermittent blocky neon type compete with these other elements and have a jarring effect. Despite the complicated and confusing layout, however, readers of all ages will likely find inspiration in the lives Butler has chosen to highlight. In telling a story of African-American art, this book chronicles the universal, enduring quality of creative imagination. Ages 8-up. (Feb.)

Children's Literature - Kathleen Karr

Author and illustrator Butler incorporates the lives of well-known African American artists into a running autobiography of his development as an artist. His bios and selections of works by people such as Henry O. Tanner and William H. Johnson are good, but they're overshadowed by the power of his own personal testament to the childhood in Mississippi that gave him the strength to make his own art. The book's layout is sometimes a little visually overwhelming, but Butler's words and artwork are impressive.

Book Details

Published
January 1, 1998
Publisher
Zino Press Children's Books
Pages
64
Format
Hardcover
ISBN
9781559332163

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