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Literary Criticism - General & Miscellaneous, Politics & Literature, English Fiction & Prose Literature - 20th Century - Literary Criticism, Imperialism, English Fiction & Prose Literature - 19th Century - Literary Criticism
Eastern Figures: Orient and Empire in British Writing by Douglas Kerr β€” book cover

Eastern Figures: Orient and Empire in British Writing

by Douglas Kerr
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Overview

Eastern Figures is a literary history with a difference. It examines British writing about the East -- centred on India but radiating as far as Egypt and the Pacific -- in the colonial and postcolonial period.

Hong Kong University Press

Synopsis

Eastern Figures is a literary history with a difference. It examines British writing about the East – centred on India but radiating as far as Egypt and the Pacific – in the colonial and postcolonial period. It takes as its subject "the East" that was real to the British imagination, largely the creation of writers who described and told stories about it, descriptions and stories coloured by the experience of empire and its aftermath. It is bold in its scope, with a centre of gravity in the work of writers like Stevenson, Kipling, Conrad, and Orwell, but also covering less well-known literary authors, and including Anglo-Indian romance writing, the reports and memoirs of administrators, and travel writing from Auden and Isherwood in China to Redmond O'Hanlon in Borneo. Eastern Figures produces a history of this writing by looking at a series of "figures" or tropes of representation through which successive writers sought to represent the East and the British experience of it – tropes such as exploring the hinterland, going native, and the figure of rule itself. Eastern Figures is accessible to anyone interested in the literary and cultural history of empire and its aftermath. It will be of especial interest to students and scholars of colonial and postcolonial writing, as it raises issues of identity and representation, power and knowledge, and centrally the question of how to represent other people. It has original ideas and approaches to offer specialists in literary history of the nineteenth and twentieth centuries, cultural historians, and researchers in colonial discourse analysis, postcolonial studies, and Asian area studies and history. It is also aimed at students in courses in literature and empire, culture and imperialism, and cross-cultural studies.

About the Author, Douglas Kerr

Douglas Kerr is Professor in the School of English at the University of Hong Kong. He is the author of Wilfred Owen's Voices, George Orwell, and co-editor, with Julia Kuehn, of A Century of Travels in China: Critical Essays on Travel Writing from the 1840s to the 1940s. He is also a founding co-editor of Critical Zone: A Forum of Chinese and Western Knowledge.

Hong Kong University Press

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Editorials

From the Publisher

"This fine study represents a rich distillation of Douglas Kerr's career-long study of the modalities of the East: the crowd, the implacable face, the contact zone. Readings of Kipling, Forster and Orwell, but also of less familiar writers such as Auden, Maud Diver, and Alfred Russel Wallace carefully interrogate settled ideas of the Orient as predictable and unfissured, and maintain a sustained literary focus throughout." Elleke Boehmer, Professor of World Literature in English, Oxford University.

Hong Kong University Press

Book Details

Published
October 1, 2008
Publisher
Hong Kong University Press
Pages
264
Format
Hardcover
ISBN
9789622099340

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