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Elegy for April (Quirke Series #3) by Benjamin Black — book cover

Elegy for April (Quirke Series #3)

by Benjamin Black
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Overview

The New York Times Bestselling Author of Christine Falls

April Latimer, a junior doctor at a local hospital, is something of a scandal in the conservative and highly patriarchal society of 1950s Dublin. She’s known for being independent, and her taste in men is decidedly unconventional. Now April has vanished, and her friend Phoebe Griffin suspects the worst. Phoebe seeks out Quirke, her brilliant but erratic father, and asks him for help. Sober again after intensive treatment for alcoholism, Quirke follows April’s trail through some of the darker byways of the city, and finds himself deeply involved in April’s murky story, facing ugly truths about family savagery, Catholic ruthlessness, and race hatred. Both an absorbing crime novel and a brilliant portrait of a father and his daughter, this is Benjamin Black at his sparkling best.

Synopsis

The New York Times Bestselling Author of Christine Falls

April Latimer, a junior doctor at a local hospital, is something of a scandal in the conservative and highly patriarchal society of 1950s Dublin. She's known for being independent, and her taste in men is decidedly unconventional. Now April has vanished, and her friend Phoebe Griffin suspects the worst. Phoebe seeks out Quirke, her brilliant but erratic father, and asks him for help. Sober again after intensive treatment for alcoholism, Quirke follows April's trail through some of the darker byways of the city, and finds himself deeply involved in April's murky story, facing ugly truths about family savagery, Catholic ruthlessness, and race hatred. Both an absorbing crime novel and a brilliant portrait of a father and his daughter, this is Benjamin Black at his sparkling best.

About the Author, Benjamin Black


Benjamin Black, the pen name of acclaimed novelist John Banville, is the author of Christine Falls and The Silver Swan. Christine Falls was nominated for both the Edgar Award and Macavity Award for Best Novel; both Christine Falls and Silver Swan were national bestsellers. Banville lives in Dublin.

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Editorials

From the Publisher

“Methodical, detailed, and always gripping.” —USA Today

“Elegant...[Black/Banville’s] sinuous prose, subtle eroticism, and 1950s period detail do more than enough to put [his] series on the map.” —The New York Times

“In Elegy for April, Black’s nailed down the recipe, the style and pace, that allows him to craft a story of suspense while filling it with sharp-eyed, bigger-picture observations.” —Time Out (Chicago)

“Mr. Black/Banville has raised the bar for the soul’s-night genre....Cool, atmospheric…memorably etched.” —The Dallas Morning News

“The writing has an elegance and nimbleness that surpass almost all other genre fiction….[He] evokes Dublin—which he knows inside out—with an almost bitter love, and his feeling for the city’s class and religious divisions and its urgent, albeit repressed, sexual atmospheres helps his characters spring from the page.” —Los Angeles Times

“Quirke, the haunted Dublin pathologist and haphazard sleuth, returns in the third novel in Black’s superb series of sharply etched, nearly Jamesian mysteries....In Black’s atmospheric and penetrating works of Irish noir, pain, prejudice, greed, and violence brew behind lace curtains.” —Booklist (starred review)

Janet Maslin

The Quirke books are so savvy, stylish and unencumbered by literary ambition that they deliver a lot of guilty pleasure. They're clever but uncomplicated…Set in the 1950s, when a fashionable woman may show up in a mink coat…the Quirke books mirror the small-mindedness of their time…and place. Elegy for April [is] the best and most assured of the lot…
—The New York Times

Kirkus Reviews

Alcoholic Dublin pathologist Quirke emerges from rehab in the 1950s to an urgent request from his daughter Phoebe to find an even more troubled daughter. No one's seen April Latimer for 12 days. In the case of her family, that's hardly surprising, since they'd parted ways long ago. But the friends she'd made as a junior doctor at the Hospital of the Holy Family-a small group that includes actress Isabel Galloway, Nigerian medical student Patrick Ojukwu and Phoebe Griffin-are worried. So Phoebe asks her father, whom she's known for most of her life as her uncle, for help. Though Quirke succeeds in interesting his friend Inspector Hackett in the case, he doesn't succeed in much else, largely because April's older brother Oscar and their widowed mother Celia simply assume the family's black sheep has gone off with still another man, and her uncle Bill, Ireland's Minister of Health, is so much more obsessed with damage control than with learning the truth that he uses every channel to block Quirke's inquiries. The search settles into a well-worn rut-more hand-wringing from April's friends, more denials from her family-that gives Quirke's quest a tedium as authentic as that of a police procedural. What sets it apart is the uncanny ability of Black (The Lemur, 2008) to bring his characters alive with flashes of piercing insight, whether Quirke's dealing with his stepmother-in-law or learning to drive. This tale of two families-April's clearly dysfunctional, Quirke's nearly so-is the most conventional of the pathologist's three cases to date (The Silver Swan, 2008, etc.).

Publishers Weekly

Black's engrossing third crime thriller set in 1950s Dublin (after The Silver Swan) finds pathologist Garret Quirke fresh from a stint in alcohol rehab. Quirke reluctantly agrees to help his daughter, Phoebe Griffin, with whom he has a tenuous relationship, find her missing best friend, April Latimer, a junior doctor at a local hospital. Quirke soon finds that members of the powerful Latimer family have all but disowned April, and yet he's sure they know more than they're letting on. Phoebe does her own sleuthing among the group of friends she shared with April, including a stage actress, a handsome Nigerian surgical student, and a reporter. Black (the pen name of Booker Prize-winner John Banville) is equally concerned with exploring the idea of family and loyalty as with spinning a suspenseful whodunit, and his depiction of a fragile father-daughter relationship is as powerful as the unsettling truth behind April's disappearance. Author tour. (Apr.)

Library Journal

Black, the pen name chosen by Irish novelist John Banville, aptly describes the third (after The Silver Swan) darker-than-night 1950s crime novel featuring Dublin pathologist Quirke. Shaky and newly released from a drying-out facility, lifelong alcoholic Quirke is attempting to start anew when his daughter, Phoebe, calls for his help, convinced that best friend April is missing and has met a bad end. April, a junior doctor, has a reputation for promiscuity, and her own family members immediately distance themselves from the situation. Quirke joins forces with DI Hackett, and each in his own unconventional way works to get to the bottom of April's disappearance. VERDICT As with Black's previous novels, Quirke wanders the seedy city streets, uncovering racism, Catholic hypocrisy, and grim family secrets. Quirke and Phoebe are wounded, tortured individuals bound by a fierce if unspoken love. Black's latest reads more like a fascinating father-daughter character study than a whodunit; new readers may want to start with Black's first, Christine Falls, for Quirke's complete backstory.—Christine Perkins, Bellingham PL, WA

Book Details

Published
March 29, 2011
Publisher
Picador
Pages
304
Format
Paperback
ISBN
9780312680732

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