The New York Times
C. S. Nicholls's engaging biography, which draws on an extensive collection of Huxley's published work, personal papers and letters, expertly places Huxley's life and work in the context of the dramatic rise and fall of Britain's African empire.—Laura Ciolkowski
Publishers Weekly
This first biography of British writer and conservationist Huxley (1907-1997), author of several novels (The Flame Trees of Thika), memoirs and travel pieces, is lively and well researched. Leaving Huxley in England, her parents moved to Kenya in 1912, where, as members of Britain's white settler community, they struggled to run a coffee plantation. Huxley was sent for the next year, and she spent her childhood and adolescence hunting, playing polo, going on safaris and participating in other such colonial activities. Huxley left Africa in 1925 to attend college in England and the U.S., but returned periodically to visit her parents and do research. Nicholls plumbs Huxley's personal and published papers for detail, creating skillful illustrations of character and setting. Describing an elderly Huxley, she writes: "Without vanity, she wore clothes of muted colours, often tweeds, and liked brown jerseys. She usually wore trousers rather then dresses and her hair, for which she cared little, was cut short in a pudding-basin shape." Still, when it comes to considering Huxley's work in a larger, social context, Nicholls is both an apologist and a rationalist. She glosses over thorny issues of race and colonialism, concluding that while Huxley has been criticized for her lack of social awareness, she should be congratulated for her honesty and ability to change her views with the times: "she knew that the Empire would soon be destroyed by those it was supposed to be helping, and by a British government that found it an expensive anachronism in a new liberal age." In the end, this is a solid exploration of a deserving and challenging subject. (July) Copyright 2003 Reed Business Information.
Kirkus Reviews
A sturdy biography of the Anglo-Kenyan novelist and essayist, the first such work devoted to her. "Elspeth Huxley [1907-97] is best known for her writings on Africa," writes English literary scholar Nicholls. "Yet as a young woman she was excessively impatient to get away from her parents’ farm there." That impatience took Huxley (née Grant) to England, where she forged a long career as a writer of many kinds of prose, from radio scripts to lengthy memoirs. Only one of her books, The Flame Trees of Thika, published in 1959, was particularly well known in its time or is remembered today; Nicholls gives it, as well as Huxley’s other work, careful consideration, showing which parts accurately reflect Huxley’s childhood in Kenya and which are the products of pure invention. ("The book," she concludes, "is a work of fiction, though many incidents are based on actual events." Librarians and booksellers may thus want to reshelve it.) Huxley was intensely aware of her status as an overlooked writer, Nicholls remarks, though not particularly aggrieved by it. Some of her lack of fame she attributed to a dislike for the swirl of self-promotion ("I am a very bad public speaker and detest it, and hopeless on committees"), some to being dismissed by the literary establishment as a colonial, some to having spoken and written in qualified defense of white colonialism in Africa. Nicholls gives a good account of Huxley’s life and work, placing her in the milieu of the British East Africa of WWI and the England of WWII and beyond, charting Huxley’s course from ambitious youth to parsimonious, somewhat dotty old age. All the while, from decade to decade, as Nicholls capably documents, Huxley remained activeand productive, championed by the likes of T.S. Eliot even as her readership dwindled and assignments came fewer. A worthwhile glimpse into European colonialism and its literary chroniclers.