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German Literary Biography, 20th Century German Literature - Literary Criticism
Erich Maria Remarque: The Last Romantic by Hilton Tims — book cover

Erich Maria Remarque: The Last Romantic

by Hilton Tims
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Overview

For more than seventy years Erich Maria Remarque's startlingly realistic and intensely moving antiwar novel All Quiet on the Western Front has remained a worldwide best-seller. A political and literary sensation when it was first published, Remarque's masterpiece was banned and burned in the 1930s by the Nazis. Remarque himself was forced to flee Germany, and eventually, in 1939, he immigrated to America. A troubled man haunted by the horrors of Nazi Germany and embittered by his exile from the country he loved, Remarque strove to protect his privacy. In Hollywood glamour, in the beauties of art, in wealth, in the fame gained by successive best-sellers like Arch of Triumph, Remarque hid his torment and buried his fears. Love, too, held its woes for Remarque. Extraordinary, poignant, glamorous, the portrait that emerges in this potent biography of a modern literary giant—the story of a disadvantaged poor boy who at eighteen did indeed serve on the Western Front and subsequently molded himself into a cultured man of the world—is as extravagantly lit by romance as it is shadowed by anguish.

Synopsis

For more than seventy years Erich Maria Remarque’s startlingly realistic and intensely moving anti-war novel All Quiet on the Western Front has remained a worldwide best seller. A political and literary sensation when it was first published, Remarque’s masterpiece was banned and burned in the 1930s by the Nazis. Remarque was forced to flee Germany, and eventually, in 1939, he immigrated to America. Haunted by the horrors of Nazi Germany and embittered by his exile from the country he loved, Remarque strove to protect his privacy. In Hollywood glamour, in wealth, in the fame gained by successive hits like Arch of Triumph, Remarque hid his torment and buried his fears. Love, too, held its woes for Remarque. He was tortured by the infidelities of his first wife, whom he divorced and then remarried to save her from the Nazis. A turbulent, long-running affair with Marlene Dietrich, who helped him escape war-torn Europe, was followed by romantic liaisons with some of the film world’s most seductive stars like Greta Garbo, Dolores de Rio, Maureen O’Sullivan, and Paulette Goddard, who became his second wife. The portrait that emerges is as extravagantly lit by romance as it is shadowed by anguish.

Publishers Weekly

The most famous antiwar novel of the 20th century, All Quiet on the Western Front, brought its author, a young German veteran, immediate fame and great wealth. The 1930 Hollywood film is a classic. Yet who remembers the other novels and plays that Erich Maria Remarque (1898-1970) wrote in his long and productive career? Many of them hit the bestseller lists in Europe and the United States and were also turned into films. All are forgotten, except perhaps in his native Germany, where Remarque, pursued by the Nazis and even after WWII vilified as a traitor, has finally received his due from scholars. Tims's English-language biography is decent. The author follows Remarque from his provincial, lower-middle-class and emotionally starved upbringing to service in the German army in WWI. Restless and ambitious, he tried his hand at teaching, then journalism, and managed to write a few forgettable short stories. Then came the overnight sensation of All Quiet, a success that failed to still Remarque's deep insecurities and his ambivalence about the glare of fame. British novelist and biographer Tims provides plot summaries of Remarque's novels, but little analysis. Midway through, as Hollywood's most glamorous stars, including Marlene Dietrich, Greta Garbo and Paulette Goddard, make room in their beds for the rich, handsome and sensitive Remarque and provide him temporary relief from his emotional torments, the book begins to read like an unending gossip column. That has its charms, but only for so long. Illus. (June) Copyright 2003 Reed Business Information.

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Editorials

Publishers Weekly

The most famous antiwar novel of the 20th century, All Quiet on the Western Front, brought its author, a young German veteran, immediate fame and great wealth. The 1930 Hollywood film is a classic. Yet who remembers the other novels and plays that Erich Maria Remarque (1898-1970) wrote in his long and productive career? Many of them hit the bestseller lists in Europe and the United States and were also turned into films. All are forgotten, except perhaps in his native Germany, where Remarque, pursued by the Nazis and even after WWII vilified as a traitor, has finally received his due from scholars. Tims's English-language biography is decent. The author follows Remarque from his provincial, lower-middle-class and emotionally starved upbringing to service in the German army in WWI. Restless and ambitious, he tried his hand at teaching, then journalism, and managed to write a few forgettable short stories. Then came the overnight sensation of All Quiet, a success that failed to still Remarque's deep insecurities and his ambivalence about the glare of fame. British novelist and biographer Tims provides plot summaries of Remarque's novels, but little analysis. Midway through, as Hollywood's most glamorous stars, including Marlene Dietrich, Greta Garbo and Paulette Goddard, make room in their beds for the rich, handsome and sensitive Remarque and provide him temporary relief from his emotional torments, the book begins to read like an unending gossip column. That has its charms, but only for so long. Illus. (June) Copyright 2003 Reed Business Information.

Kirkus Reviews

A welcome life of the German writer, the first in English, best known in his time and now for the classic novel All Quiet on the Western Front. English biographer and novelist Tims never quite explains why Remarque (1898-1970) should merit renewed interest today, when almost all of his books have long since gone out of print in English translation. Still, he observes, German readers are rediscovering Remarque, who wrote plenty of frothy romances alongside his classic cri de antiguerre. "It would have given him a rueful satisfaction to know that it is in Germany that his work and reputation are nowadays held in the highest reputation," Tims rightly observes, for Remarque was one of the first non-Jewish writers to attract the wrath of the Nazi regime; his books were banned and burned for their supposed defeatism, while Hitler’s propagandists chortled that Remarque (or "Remark," as the writer rendered his name well into adulthood) was an anagram for Kramer. (It was not.) Driven into exile—though a luxurious one—in neighboring Switzerland, Remarque, who had bought himself a nobleman’s rank and had aristocratic leanings, did not vigorously or vocally oppose the Nazis; even so, his Aryan status having been proven to the satisfaction of the authorities, he wisely refused entreaties on the part of Hermann Goering to return to Germany and take on a job as Minister of Culture for Prussia. Instead, Remarque relocated to Hollywood, where he wrote a few scripts and earned local renown for conducting a series of affairs with the likes of Marlene Dietrich and Paulette Goddard (whom he later married). That Remarque was never a great writer is a point that Tims successfully evades, and heunwisely attributes negative reviews in the postwar German press not to the possibility that the books in question weren’t good, but to "habitual German hostility towards the world-famous author." Nonetheless, the author offers evidence for Remarque’s basic decency—and for why All Quiet on the Western Front should be remembered today, even if its author is not. Agent: Carolyn Whitaker

Book Details

Published
July 1, 2004
Publisher
Da Capo Press
Pages
240
Format
Paperback
ISBN
9780786713578

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