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Book cover of Errors and Omissions
Thrillers, Arts & Entertainment - Fiction, Occupations - Fiction

Errors and Omissions

by Paul Goldstein
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Overview

An astonishing novel of legal and moral suspense from Paul Goldstein, a stunning new legal literary talent.Meet Michael Seeley, a take-no-prisoners intellectual property litigator–and a man on the brink of personal and career collapse. So when United Pictures virtually demands that he fly out to Hollywood to confirm legally that they own the rights to their corporate cash-cow franchise of Spykiller films, he has little choice but to comply. What he discovers in these gilded precincts will plunge him headfirst into the tangled politics of the blacklisting era and then into the even darker world of Nazi-occupied Poland. Drawing on historical fact and legal scholarship, this is a breathless tale of deception and intrigue.

Synopsis

An astonishing novel of legal and moral suspense from Paul Goldstein, a stunning new legal literary talent.Meet Michael Seeley, a take-no-prisoners intellectual property litigator–and a man on the brink of personal and career collapse. So when United Pictures virtually demands that he fly out to Hollywood to confirm legally that they own the rights to their corporate cash-cow franchise of Spykiller films, he has little choice but to comply. What he discovers in these gilded precincts will plunge him headfirst into the tangled politics of the blacklisting era and then into the even darker world of Nazi-occupied Poland. Drawing on historical fact and legal scholarship, this is a breathless tale of deception and intrigue.

Publishers Weekly

The bromide about writing what you know works well for Stanford law professor Goldstein, an expert in intellectual property jurisprudence who participated in a famous case involving ownership of the James Bond film franchise. In his intriguing debut novel, he tosses his burned-out litigator, Michael Seeley, into the middle of a movie studio's homicidal battle to continue to control the rights to a fabulously successful spy series. This adaptation, which dips back into Hollywood's blacklist era, is a pretty intellectual property itself, depending more on character and motivation and moral ambiguity than action and suspense. Keeler relies on shading and subtlety rather than broad vocal interpretation. He segues smoothly from lively descriptive passages to even livelier dialogue sequences. Goldstein enjoys writing scenes in which several people converse at a fast clip; Keeler has no trouble attaching identifying voices to each while matching the novel's snappy patter. The novel ends not with a bang but with a mild joke. As wryly interpreted by Keeler, that seems not only appropriate but completely satisfying for a thinking man's thriller. Simultaneous release with the Doubleday hardcover (Reviews, Mar. 13). (July) Copyright 2006 Reed Business Information.

About the Author, Paul Goldstein

Paul Goldstein is the Lillick Professor of Law at Stanford Law School and is widely recognized as one of the country's leading authorities on intellectual property law. A graduate of Brandeis University and Columbia Law School, he is Of Counsel to the law firm of Morrison & Foerster LLP and has regularly been included in Best Lawyers in America. He has testified before congressional committees dealing with intellectual property issues and has been an invited expert at international government meetings on copyright issues. A native of New York, he now lives in Menlo Park, California, with his wife and daughter.

Reviews

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Editorials

Publishers Weekly

The bromide about writing what you know works well for Stanford law professor Goldstein, an expert in intellectual property jurisprudence who participated in a famous case involving ownership of the James Bond film franchise. In his intriguing debut novel, he tosses his burned-out litigator, Michael Seeley, into the middle of a movie studio's homicidal battle to continue to control the rights to a fabulously successful spy series. This adaptation, which dips back into Hollywood's blacklist era, is a pretty intellectual property itself, depending more on character and motivation and moral ambiguity than action and suspense. Keeler relies on shading and subtlety rather than broad vocal interpretation. He segues smoothly from lively descriptive passages to even livelier dialogue sequences. Goldstein enjoys writing scenes in which several people converse at a fast clip; Keeler has no trouble attaching identifying voices to each while matching the novel's snappy patter. The novel ends not with a bang but with a mild joke. As wryly interpreted by Keeler, that seems not only appropriate but completely satisfying for a thinking man's thriller. Simultaneous release with the Doubleday hardcover (Reviews, Mar. 13). (July) Copyright 2006 Reed Business Information.

Library Journal

It's a simple request: Michael Seeley, intellectual property litigator extraordinaire, is supposed to confirm that United Pictures really does own the rights to its lucrative Spykiller franchise. But the case leads him to events that transpired during the blacklist era and, ultimately, the Nazi occupation of Poland. Copyright 2006 Reed Business Information.

Kirkus Reviews

Debut legal thriller-the one about the brilliant but jaded lawyer who seeks a change by taking on the mighty on behalf of the meek. Michael Seeley, partner in New York's powerhouse Boone, Bancroft and Meserve, is weary of the banality of success. Predictable, then, is the array of those wearying of him: his wife, his boss, his clients and, in particular, a certain New York State Supreme Court judge. Here's Seeley, who's built a glittering career as an intellectual-properties litigator, in Judge Rappaport's chambers defending a client. Things are not going well-in part because Seeley is drunk, a condition increasingly prevalent as self-disgust mounts; in part because Judge Rappaport really is the "pompous toad" Seeley names him in a moment of rage and recklessness. Threatened with disbarment, in hot water with his managing partner, Seeley finds himself dispatched to Los Angeles on a make-or-break mission. A client, a major Hollywood studio, has made millions from a wildly popular film called Spykiller. Poised to shoot a lucrative sequel, United Pictures has to call a halt when unexpected cloudiness obscures the rights to the original screenplay. Exactly who owns these becomes a question fraught with the potential for shattering careers (and lives). Seeley's job, his bosses have made clear, is to banish ambiguity and restore the profitable status quo. But he smells a rat and can't resist following his nose. He traces the source to the noxious era of the Hollywood witch-hunt, when the blacklisting of screenwriters was commonplace. Plunging ever deeper into that dark period, Seeley confronts a series of choices, on which will depend his chances of kicking the weltschmerz and gainingredemption. Well-intentioned and reasonably well-written but lacking a fresh point of view.

Book Details

Published
July 1, 2007
Publisher
Knopf Doubleday Publishing Group
Pages
320
Format
Paperback
ISBN
9780307274892

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