False Allegations (Burke Series #9)

Burke—ex-con, mercenary, sometime killer—makes his living preying on New York's most vicious predators and avenging their innocent victims. But in Andrew Vachss's mercilessly suspenseful new novel, Burke finds himself working the other side of the street, where guilt and innocence are as disposable as the sheets in a Times Square hotel—and as dirty.

Burke's new employer is Kite, a fanatical crusader who specializes in debunking "false allegations  of child sexual abuse. Kite has a case that may be the real thing, but needs Burke to tell him if it is. And if mere money can't persuade Burke to cooperate, Kite has plenty of other incentives at his disposal—including a fanatical bodyguard with a taste for corsets and brass knuckles. A tour guide to hell written in icy prose, False Allegations is Vachss at his most unnerving.

Burke is blackmailed into taking on an ugly job of investigation, when Kite, a professional debunker who's specializes in allegations of child sexual abuse, thinks he may have stumbled across the case of his career--the real thing. Kite needs someone who knows something about witch hunts--and Burke is his man.

Publishers Weekly

Each of Vachss's 10 previous novels has dealt with child abuse, but he's worked other themes as well, most notably the volatility of love and the hypocrisies of the middle class. Judging by his darkly disturbing Batman novel of last year (Batman: The Ultimate Evil), however, and by this shard of a thriller, his literary vision seems now to have tunneled down to sight only child abuse and allied issues in its crosshairs. Here, Vachss takes aim at adolescent sexual abuse and at those who would debunk all cases of recovered-memory syndrome as he proselytizes for the work of the real-life Dr. Bruce Perry, head of the Civitas ChildTrauma programs in Houston (who appears as a character). The story begins when Vachss's urban outlaw, Burke, initially hired by an erotic dancer named Bondi to rob a voyeuristic pervert, smells a set-up. He's not wrongcareful investigation leads him to Kite, an albino lawyer who specializes in debunking recovered memories of child sexual abuse, either demolishing the witnesses' credibility or getting the cases thrown out of court. Now Kite wants to represent one Jennifer Dalton, a high-profile client whose story, if true, will bring the issue to national attention. Kite hires Burke to interview the alleged victim and pronounce her story true or false. This quest brings him to Dr. Perry, who is pioneering laboratoryas compared to clinical couchinvestigation of recovered memory syndrome. There are a few side glances (notably at the spectacular end of Burke's ongoing gin game with Max the Silent and at the results of his "sister" Michelle's long-delayed sex-change operation), and Vachss's consideration of the validity of recovered memory syndrome is informed and balanced, but his glare at child sexual abuse here is nearly relentless and, eventually, wearisome. Vachss's prey is certainly worth hunting, and he's a skillful hunter, able through his stiletto prose and his white-hot rage to persuade readers that Burke's vigilantism equals justice. Still, there's more to life and more to art than avenging the innocentand early in his writing career, when he was writing his finest novels (Flood; Strega; Blue Bell), Vachss seemed to know that. (Nov.)

Andrew Vachss is a lawyer who represents children and youths exclusively. His many novels and two collections of short stories have been translated into twenty languages, and his work has appeared in Parade, Esquire, Playboy, and The New York Times, among other publications. A native New Yorker, he divides his time between the city of his birth and the Pacific Northwest.