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Famous Builder by Paul Lisicky β€” book cover

Famous Builder

by Paul Lisicky
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Overview

Paul Lisicky remembers being not much like other boys his age, but rather the awkward thirteen-year-old with "arms thick as drinking straws," who composes tunes in his head that he might later send to Folk Mass Today or to the producers of The Partridge Family. Born into a family whose incremental success bumps them up a notch from their immigrant upbringing and into suburban America, Paul puts his creative, undaunted energy into drawing intricate housing development plans and writing liturgical music.

In these lively, loving essays, Lisicky explores the constant impulse to rebuild the self. With gracious, thoughtful candor and pitch-perfect humor, he explores the very personal realms of childhood dreams and ambitions, adolescent sexual awakenings, and adult realities.

2002 Lambda Literary Award Finalist, Autobiography.

Synopsis

Paul Lisicky remembers being not much like other boys his age, but rather the awkward thirteen-year-old with "arms thick as drinking straws," who composes tunes in his head that he might later send to Folk Mass Today or to the producers of The Partridge Family. Born into a family whose incremental success bumps them up a notch from their immigrant upbringing and into suburban America, Paul puts his creative, undaunted energy into drawing intricate housing development plans and writing liturgical music.

In these lively, loving essays, Lisicky explores the constant impulse to rebuild the self. With gracious, thoughtful candor and pitch-perfect humor, he explores the very personal realms of childhood dreams and ambitions, adolescent sexual awakenings, and adult realities.

Publishers Weekly

At age 12, sitting on the bathroom floor of his family's home, Lisicky (Lawnboy) writes in his head a song he plans to send to The Partridge Family's producers, and dreams of becoming a famous builder like Bill Levitt: "I want those who drive through my communities to be socked in the head with the sheer beauty of all they see." While the specters of building, dwelling in and defining one's self through houses populate this memoir, Lisicky never does become a builder. An accomplished composer and singer, Lisicky begins recording contemporary liturgical music for Folk Mass Today and slowly discovers his talent for writing. His prose-as vivid as it is ethereal-gracefully transports readers to the artist's interior world as he attempts to find the appropriate outlet for his self-expression. Recalling the winding journey towards adulthood, Lisicky meditates on his family's struggles ("You're just a Slovak. You're no better then the rest of us," says his brother of their father's determination to earn a degree in electrical engineering late in life); the family's journey from a working-class Pennsylvania town to the middle-class New Jersey suburbs; as well as his coming to terms with his sexuality. By the book's end, Lisicky moves into maturity while in his 30s in Provincetown, where he finally meets his partner, poet Mark Doty. There are moments of clear, perfect memory (his mother's swinging bell bottoms, boxes of Christmas tree ornaments, and Joni Mitchell's songs' harmonic structures are rendered in stark detail) structural elements of this memoir's "sheer beauty." (Oct.)

About the Author, Paul Lisicky

Paul Lisicky is the author of the celebrated novel Lawnboy. He teaches fiction and creative nonfiction at Sarah Lawrence College and in the low-residency M.F.A. Program at Antioch University and lives in New York and Provincetown.

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Editorials

Publishers Weekly

At age 12, sitting on the bathroom floor of his family's home, Lisicky (Lawnboy) writes in his head a song he plans to send to The Partridge Family's producers, and dreams of becoming a famous builder like Bill Levitt: "I want those who drive through my communities to be socked in the head with the sheer beauty of all they see." While the specters of building, dwelling in and defining one's self through houses populate this memoir, Lisicky never does become a builder. An accomplished composer and singer, Lisicky begins recording contemporary liturgical music for Folk Mass Today and slowly discovers his talent for writing. His prose-as vivid as it is ethereal-gracefully transports readers to the artist's interior world as he attempts to find the appropriate outlet for his self-expression. Recalling the winding journey towards adulthood, Lisicky meditates on his family's struggles ("You're just a Slovak. You're no better then the rest of us," says his brother of their father's determination to earn a degree in electrical engineering late in life); the family's journey from a working-class Pennsylvania town to the middle-class New Jersey suburbs; as well as his coming to terms with his sexuality. By the book's end, Lisicky moves into maturity while in his 30s in Provincetown, where he finally meets his partner, poet Mark Doty. There are moments of clear, perfect memory (his mother's swinging bell bottoms, boxes of Christmas tree ornaments, and Joni Mitchell's songs' harmonic structures are rendered in stark detail) structural elements of this memoir's "sheer beauty." (Oct.)

Library Journal

Lisicky grew up in the suburbs, but he is anything but a typical suburban kid, and what sets this memoir apart is the lyricism, humor, and refreshing candor with which he describes his life. At age nine, he was inspired by the example of Bill Levitt of Levittown fame to design his own suburban communities, with varied homes and imaginative street names. At age 14, no longer interested in being a famous builder, his creativity found expression in composing liturgical music, an outgrowth of his participation in a church choir. Though many of his compositions were published, he abandoned this path in college, as it did not gel with the person he was becoming. As an adult, he has pursued his literary aspirations while adjusting to his homosexual orientation. He has since published the celebrated novel Lawnboy and currently teaches fiction and creative nonfiction at Sarah Lawrence College. He believes in the "poetry of building" and describes his sexual awakening and experiences with openness and honesty in a way that anyone, regardless of sexual orientation, can relate to. Recommended for public and academic libraries. Gina Kaiser, Univ. of the Sciences in Philadelphia Lib. Copyright 2002 Cahners Business Information.

Kirkus Reviews

In an offbeat memoir, Lisicky (Lawnboy, not reviewed) takes dense, obsessed bites from his past and deposits them at the feet of his readers for them to marvel over how he got from there to here. While growing up in southern New Jersey during the 1960s, in a world of sprawling housing developments, Lisicky wants to be a great builder, like Bill Levitt: "I want those who drive through my communities to be socked in the head with the sheer beauty of all they see." (Later, when he meets Levitt-or is this just a piece of creative nonfiction?-he says to the mogul, "You gave style to the masses," and the builder responds: "The masses are asses.") He's aware of the stress under Levitt's veneer, but Lisicky hopes to imbue his work with elegance and understated good taste. He: "All developers do is rip people off. I'm going to be a musician and a composer." And he does, changing over from construction to liturgical composition, not that the housing developments haven't left their mark. Through his teens and early 20s, he writes church music-his work is even published-and he discovers a gay sexuality. The sexuality survives, but not the future in music: it had felt right when the church was as much about hope as fear; but now, in its conservative Dark Ages, he asks how he could "ignore charges of colluding with the enemy" should he return to liturgical composition. There are riffs on neighbors, clothing, and college, each snapping the reader to attention after having been lost in one of Lisicky's long, atmospheric tableaux of family-where the warmth of the reflections and steady pulse of humor suggest Lisicky wasn't an unhappy boy, nor an unobservant one. Lisicky built, and rebuilt and rebuilt,until it felt good to be in his skin. Famous Builder shows the same urge to grapple and illuminate.

Book Details

Published
October 1, 2002
Publisher
Graywolf Press
Pages
200
Format
Paperback
ISBN
9781555973698

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