Fathom

The ageless water witch Arahab has been scheming for eons, gathering the means to awaken the great Leviathan. She aims to bring him and the old gods back to their former glory, caring little that their ascendance will also mean an end to the human race. However, awakening the Leviathan is no small feat. In fact, Arahab can’t complete the ritual without human aid. Arahab’s first choice is José Gaspar, a notorious sea pirate from eighteenth-century Spain. But when the task proves too difficult for Gaspar, she must look elsewhere, biding her time until the 1930’s, when the ideal candidate shows up: a slightly deranged teenager named Bernice.

Bernice is sophisticated, torn from New York and forced to spend a miserable summer on Anna Maria Island, a tiny rock off the coast of Florida. She’s also been saddled with the companionship of her farm-raised cousin Nia. Eventually, Bernice’s disenchantment gives way to rage and she commits a deadly crime. When Nia won’t cover for Bernice, she turns on Nia, chasing her into the deadly coastal waves.

But the elementals have better ideas: the moment the girls go under, Bernice is commandeered for Arahab’s task force, and Nia is turned into a strange and powerful creature by a servant of the earth who doesn’t want to surrender his green fields and muddy plains—not yet, at least. Add in a hapless fire inspector who’s just trying to get his paperwork in order, a fire god whose neutrality has been called into question, and a bizarre religious cult, and rural Florida doesn’t seem quite so sleepy anymore.

With Fathom, Cherie Priest brings her masterful writing and unforgettable characterization to the realm of near-contemporary rural fantasy. The result is fast-paced, stunning, and quite unlike anything you’ve ever read.

A new "rural fantasy" populated by elemental monsters and long-dead pirates from Cherie Priest, acclaimed author of Four and Twenty Blackbirds and the Eden Moore books

Publishers Weekly

A decidedly dark departure from Priest's Eden Moore saga (Four and Twenty Blackbirds, etc.), this stand-alone novel is equal parts horror, contemporary fantasy and apocalyptic thriller. During a summer vacation to her aunt's coastal Florida home, innocent teen Nia sees her cousin Bernice commit a brutal murder and then get dragged into the ocean by a monstrous water witch. Nia becomes inadvertently entangled in a conflict between primordial creatures that endangers the very existence of humankind. Entombed in stone for countless years, Nia eventually emerges from her cocoon transformed, only to realize that an old god is close to awakening and destroying the world. Priest's haunting lyricism and graceful narrative are complemented by the solemn, cynical thematic undercurrents with a tangible gravity and depth. This is arguably her most ambitious-and accomplished-work to date. (Dec.)

CHERIE PRIEST, who made her debut with the Eden Moore series of Southern Gothic ghost stories that began with Four and Twenty Blackbirds, lives in Seattle, Washington and keeps a popular blog at cmpriest.livejournal.com.