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20th Century American Literature - General & Miscellaneous - Literary Criticism, American Literature - Regional Literature - Literary Criticism, 20th Century American Literature - Pre WWII - Literary Criticism
Faulkner, Mississippi by Edouard Glissant — book cover

Faulkner, Mississippi

by Edouard Glissant, Thomas C. Spear (Translator), Barbara B. Lewis
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Overview

In 1989, the Caribbean writer Edouard Glissant visited Rowan Oak, William Faulkner's home in Oxford, Mississippi. His visit spurred him to write a revelatory book about the work of one of our greatest but still least-understood American writers.

"A fascinating way to read Faulkner. . . .[Glissant's] case is nothing less than that, no matter how Faulkner's personal Furies twisted his public speech, Faulkner was a great, world-beating multiculturalist."—Jonathan Levi, Los Angeles Times Book Review

"A sharp, challenging, and wholly unique tour of Yoknapatawpha County." —Kirkus Reviews

"Passionate. . . . Glissant's prose sometimes vies with Faulkner's for intricacy and evocative nuance." —Scott McLemee, Newsday

"Glissant tries to engage Faulkner on many fronts simultaneously, positioning himself as a critic, a fellow artist and as a descendant of slaves. . . He makes a convincing case that Faulkner is not just another 'dead white male author.'"—Scott Yarbrough, Raleigh News & Observer

"[An] ambitious and, at times, rambunctious expedition into Yoknapatawpha County." —Christine Schwartz Hartley, New York Times Book Review

Synopsis

El novelista y poeta francófono Édouard Glissant, una de las voces literarias más poderosas del mundo antillano, configura en Faulkner, Mississippi una aproximación al mundo y la obra del autor de El sonido y la furia. Para Glissant, William Faulkner reconstruyó -y le encontró una razón literaria de ser- a ese orgulloso Sur que sufrió el martirio de una derrota humillante. Según el ensayista, el famoso novelista estadunidense indagaba las causas que llevaron al mundo sureño a una lenta e inexorable condena.

Library Journal

In this brief, densely written, but unfortunately somewhat turgid volume, Glissant surveys the entirety of Faulkner's fiction to explore not only the relatively familiar themes of violence, the fall of the Old South (Compsons) and rise of the New (Snopeses), territorial conquest and ownership, community, and ancestry but also the manifestations of the Nobel prize winner's seldom-noted equivocations over racism in the South. Glissant does not organize his discussion around the various works but rather around the main themes he finds in Faulkner's fiction. A well-known black writer from Martinique for whom English is a second language, he demonstrates both an astonishing familiarity with the most minute particulars of the whole range of Faulkner's work on the American South and a remarkable ear for the different styles Faulkner used--differences that may be more noticeable to a nonnative speaker. Touted by its publisher as a "highly original new book," Faulkner, Mississippi is just that. Highly recommended for academic libraries with extensive Faulkner collections.--Charles Crawford Nash, Cottey Coll., Nevada, MO Copyright 1999 Cahners Business Information.

Reviews

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Editorials

Library Journal

In this brief, densely written, but unfortunately somewhat turgid volume, Glissant surveys the entirety of Faulkner's fiction to explore not only the relatively familiar themes of violence, the fall of the Old South (Compsons) and rise of the New (Snopeses), territorial conquest and ownership, community, and ancestry but also the manifestations of the Nobel prize winner's seldom-noted equivocations over racism in the South. Glissant does not organize his discussion around the various works but rather around the main themes he finds in Faulkner's fiction. A well-known black writer from Martinique for whom English is a second language, he demonstrates both an astonishing familiarity with the most minute particulars of the whole range of Faulkner's work on the American South and a remarkable ear for the different styles Faulkner used--differences that may be more noticeable to a nonnative speaker. Touted by its publisher as a "highly original new book," Faulkner, Mississippi is just that. Highly recommended for academic libraries with extensive Faulkner collections.--Charles Crawford Nash, Cottey Coll., Nevada, MO Copyright 1999 Cahners Business Information.

NY Times Book Review

...Observations that are slowly accumulated, insights gradually or suddenly revealed and questions raised...an academic project...[is transformed] into a piece of writing that is often poetic.

Jonathan Levi

A fascinating way to read Faulkner.... [Glissant's] case is nothing less than that, no matter how Faulkner's personal Furies twisted his public speech, Faulkner was a great, world-beating multiculturalist.
Los Angeles Times Book Review

Kirkus Reviews

An elegant, erudite, and at times baffling reconsideration of Faulkner by a giant of Caribbean literature. A Martinican who first encountered Faulkner in French translation, Glissant launches his reappraisal after touring the novelist's house, Rowan Oak. His reaction to the poet laureate of the past-haunted South is filtered through his puzzled attempts to apprehend how the contemporary South is emblematic of the American whole—banal roadsides cluttered with fast-food restaurants, the cultural nonchalance toward violence—making this part travelogue, part cultural and literary criticism. Glissant's general affability is demonstrated by his address of race in Faulkner: "How can you reduce Faulkner's pantheistic Comedy to what he did or did not say about the race question in the United States? But how can you fail to take this question into consideration?" He argues for the importance of the exercise, contending that "Faulkner's oeuvre will be complete when it is revisited and made `effective' by African-Americans," and he credits Toni Morrison with beginning the project. Glissant brings a unique perspective to Faulkner's work: as a Martinican, he comes from a colonial culture built on a slave-based plantation economy like the South's (and thus views slavery with a broader perspective than most Americans); as an outsider, he's both an objective analyst and something of an awestruck tourist. Glissant is good at sketching the big picture of Faulkner's lifework (how the novels fit together, what role the stories play) and small details (he charts the three modes of Faulkner's writing, "the hidden, the described, and the inexpressible" and sheds light on how the author'strademark style contributes to his themes). It's the middle ground—the discussion of individual novels—that's sometimes hard to follow. The difficulty of analyzing Faulkner's entire body of work in a short book may be due more to the novels' complexity (they don't lend themselves to brief synopses) than to any shortcomings of Glissant's. A sharp, challenging, and wholly unique tour of Yoknapatawpha County. .

Book Details

Published
June 1, 2000
Publisher
University of Chicago Press
Pages
274
Format
Paperback
ISBN
9780226299945

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