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Overview
Argues that contemporary female Gothic novels of death breathe new life into feminist debates about victimization, essentialism, agency, and the body.Synopsis
Meyers (English, Southwestern U.) explores femicidal plots (in which women are killed or fear for their lives) in the works of authors such as Angela Carter, Muriel Sparks, Joyce Carol Oates, and Margaret Atwood, to argue that these modern Gothic novels, as well as actual cases of female murder like the Montreal Massacre, depict feminist debates on victimization more fully than the sometimes watered down or overused language of theoretical feminism.
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