Feminist Futures?

This is a timely contribution to the debates regarding future possibilities for feminism, theater, and performance. An excellent, cross-generational mix of theater scholars (Sue-Ellen Case, Dee Heddon, Meenakshi Ponnuswami, Janelle Reinelt, Joanne Tompkins) and practitioners (Anna Furse, Leslie Hill and Helen Paris, SuAndi) engage in lively, cutting-edge critical debates on topics that include citizenship, autobiography, cultural heritage and politcal agency as circulating in contemporary feminism and performance.

This is a timely contribution to the debates regarding future possibilities for feminism, theater, and performance. An excellent, cross-generational mix of theater scholars (Sue-Ellen Case, Dee Heddon, Meenakshi Ponnuswami, Janelle Reinelt, Joanne Tompkins) and practitioners (Anna Furse, Leslie Hill and Helen Paris, SuAndi) engage in lively, cutting-edge critical debates on topics that include citizenship, autobiography, cultural heritage and politcal agency as circulating in contemporary feminism and performance.

GERALDINE HARRIS is Professor of Theatre Studies at Lancaster University, UK. She has published widely on female performance and performativity including Staging Femininities (1999). Her more recent book Beyond Representation focuses on the politics and aesthetics of television drama. She also works as a devisor, writer, director and adapter.

ELAINE ASTON is Professor of Contemporary Performance at Lancaster University, UK. She has published extensively on feminist theatre and performance, and her major works include An Introduction to Feminism and Theatre (1997) and Feminist Views on the English Stage (2003). With Geraldine Harris, she leads the AHRC funded research project on Women's Writing for Performance.