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Forever Odd (Odd Thomas Series #2) by Dean Koontz — book cover

Forever Odd (Odd Thomas Series #2)

by Dean Koontz
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Overview

NEW YORK TIMES BESTSELLER
 
I see dead people. But then, by God, I do something about it. Odd Thomas never asked for his special ability. He’s just an ordinary guy trying to live a quiet life in the small desert town of Pico Mundo. Yet he feels an obligation to do right by his otherworldly confidants, and that’s why he’s won hearts on both sides of the divide between life and death. But when a childhood friend disappears, Odd discovers something worse than a dead body and embarks on a heart-stopping battle of will and wits with an enemy of exceptional cunning. In the hours to come there can be no innocent bystanders, and every sacrifice can tip the balance between despair and hope.
 
You’re invited on an unforgettable journey through a world of terror and transcendence to wonders beyond imagining. And you can have no better guide than Odd Thomas.

About the Author, Dean Koontz

Dean Koontz, the author of many #1 New York Times bestsellers, lives in Southern California with his wife, Gerda, their golden retriever, Anna, and the enduring spirit of their golden, Trixie.

Biography

He is one of the most recognized, read, and loved suspense writers of the 20th century. His imagination is a veritable factory of nightmares, conjuring twisted tales of psychological complexity. He even has a fan in Stephen King. For decades, Dean Koontz's name has been synonymous with terror, and his novels never fail to quicken the pulse and set hearts pounding.

Koontz has a lifelong love of writing that led him to spend much of his free time as an adult furiously cultivating his style and voice. However, it was only after his wife Gerda made him an offer he couldn't refuse while he was teaching English at a high school outside of Harrisburg, Pennsylvania, that he had a real opportunity to make a living with his avocation. Gerda agreed to support Dean for five years, during which time he could try to get his writing career off the ground. Little did she know that by the end of that five years she would be leaving her own job to handle the financial end of her husband's massively successful writing career.

Koontz first burst into the literary world with 1970's Beastchild, a science fiction novel that appealed to genre fans with its descriptions of aliens and otherworldly wars but also mined deeper themes of friendship and the breakdown of communication. Although it is not usually ranked among his classics, Beastchild provided the first inkling of Koontz's talent for populating even the most fantastical tale with fully human characters. Even at his goriest or most terrifying, he always allows room for redemption.

This complexity is what makes Koontz's work so popular with readers. He has a true gift for tempering horror with humanity, grotesqueries with lyricism. He also has a knack for genre-hopping, inventing Hitchcockian romantic mysteries, crime dramas, supernatural thrillers, science fiction, and psychological suspense with equal deftness and imagination. Perhaps The Times (London) puts it best: "Dean Koontz is not just a master of our darkest dreams, but also a literary juggler."

Good To Know

Shortly after graduating from college, Koontz took a job with the Appalachian Poverty Program where he would tutor and counsel underprivileged kids. However, after finding out that the last person who held his job had been beaten up and hospitalized by some of these kids, Koontz was more motivated than ever to get his writing career going.

When Koontz was a senior in college, he won the Atlantic Monthly fiction competition.

Koontz and Kevin Anderson's novel Frankenstein: The Prodigal Son was slotted to become a television series produced by Martin Scorsese. However, when the pilot failed to sell, the USA Network aired it as a TV movie in 2004. By that time Koontz had removed his name from the project.

Some fun and fascinating outtakes from our interview with Koontz:

"My wife, Gerda, and I took seven years of private ballroom dancing lessons, twice a week, ninety minutes each time. After we had gotten good at everything from swing to the foxtrot, we not only stopped taking lessons, but also stopped going dancing. Learning had been great fun; but for both of us, going out for an evening of dancing proved far less exhilarating than the learning. We both have a low boredom threshold. Now we dance at a wedding or other celebration perhaps once a year, and we're creaky."

"On my desk is a photograph given to me by my mother after Gerda and I were engaged to be married. It shows 23 children at a birthday party. It is neither my party nor Gerda's. I am three years old, going on four. Gerda is three. In that crowd of kids, we are sitting directly across a table from each other. I'm grinning, as if I already know she's my destiny, and Gerda has a serious expression, as if she's worried that I might be her destiny. We never met again until I was a senior in high school and she was a junior. We've been trying to make up for that lost time ever since.

"Gerda and I worked so much for the first two decades of our marriage that we never took a real vacation until our twentieth wedding anniversary. Then we went on a cruise, booking a first-class suite, sparing no expense. For more than half the cruise, the ship was caught in a hurricane. The open decks were closed because waves would have washed passengers overboard. About 90% of the passengers spent day after day in their cabins, projectile vomiting. We discovered that neither of us gets seasick. We had the showrooms, the casino, and the buffets virtually to ourselves. Because the crew had no one to serve, our service was exemplary. The ship dared not try to put into the scheduled ports; it was safer on the open sea. The big windows of the main bar presented a spectacular view of massive waves and lightning strikes that stabbed the sea by the score. Very romantic. We had a grand time.

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Editorials

Janet Maslin

Forever Odd retains the voice of the earlier book. It also retains some super-cute characters, like the ghost of Elvis Presley, who wordlessly hangs around Pico Mundo. A lot about these books can be deduced from the way they present Elvis: he is lionized for his faith, his struggles and especially for his devotion to his mother. The ending of this second Odd Thomas story indicates that dead Elvis will also be around for a third, and hence that Mr. Koontz is no fool.
—The New York Times

Publishers Weekly

A dead-on performance by narrator Baker brings Koontz's supernatural thriller to life. Odd Thomas, the psychic protagonist of Koontz's 2003 novel of the same name, is blessed, or cursed, with the ability to see the dead. Thomas is summoned to the house of his best friend, Danny Jessup, by Danny's murdered father. Danny is missing and it is up to Thomas to find him. His search leads him to an old, abandoned casino and into the clutches of the frightening Datura, who plans to use Thomas and his powers to further her own demented and deadly exploration of the supernatural. Baker excellently keeps the suspense as taunt as Koontz's prose. He gives Thomas an appropriately youthful vocalization while at the same time capturing the "old soul" weariness of someone who has seen and endured too much sorrow and tragedy, for his age. With Datura, Baker offers a perfect interpretation as he bounces effectively from seductive through menacing to just plain insane. Baker hits all the right thrills in this enjoyable melding of reader and writer. Simultaneous release with the Bantam hardcover (Reviews, Nov. 7). (Nov.) Copyright 2006 Reed Business Information.

Library Journal

In this sequel to the best-selling Odd Thomas, Odd again stands between danger and the little town of Pico Mundo. Copyright 2005 Reed Business Information.

Book Details

Published
April 24, 2012
Publisher
Random House Publishing Group
Pages
400
Format
Mass Market Paperback
ISBN
9780345533319

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