Synopsis
Jaap Penraat can't understand the Germans' hatred of his Jewish neighbors in his hometown of Amsterdam. As the restrictions multiply and the violence escalates, Jaap knows he must take action to help his friends. He begins by using his father's printing press to forge identification cards and papers for Jewish neighbors and refugees, but as the Nazi grasp tightens, he is forced to take a more drastic path—leading twenty Jews on the dangerous first leg of a journey to Paris, the start of the underground pipeline to safety.
This initial group of twenty men is only the beginning; the number eventually grows to over four hundred Jews saved from certain death by Jaap Penraat's heroic efforts, brought to life in this vivid retelling.
Praise for O'Sullivan Stew: "Story and pictures are bound to charm an audience just as they captivate the king." —Kirkus Reviews
"Visually and verbally inventive in its details and its broader storytelling, this one is a shiny shamrock." —Publishers Weekly
Publishers Weekly
Chronicling the daring wartime activities of a Dutch friend and neighbor, Talbott (We're Back: A Dinosaur's Story) overcomes a mildly strained narrative by virtue of his freshly conceived and powerfully rendered paintings. The story itself commands attention. Jaap Penraat is barely out of his teens when the Nazis invade Holland, and almost as soon as the Nazi persecution of the Jews begins, Jaap begins counterfeiting identity cards and other documents for his Jewish friends. In 1942 he hatches and executes a stunning plan: he forges a series of papers so he can pass as an official of a German construction company, then applies for official travel permits to bring Dutch "workers" (in fact Jews) to a phony job site in France, from which point they can be smuggled to Spain and other safe harbors. In this way Jaap and a partner save more than 400 people before they halt their operation in May 1944. Talbott saddles this real-life drama with slightly didactic exposition, and his prose is uneven ("Books held a special place in the hearts of the people of Holland"). But his illustrations pack a wallop, incorporating Jaap's forgeries and other documents in full-spread compositions, generous spot art and occasional borders. Depicting throngs of Nazis and Nazi sympathizers, for example, Talbott uses indistinct gray tones to imply the crowd mentality and reserves color for resisters like Jaap. His art revitalizes the traditional images of the war to home in on the individuality and vulnerability of its heroes and its victims. Ages 7-up. (Oct.) Copyright 2000 Cahners Business Information.