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Overview
For the characters we meet in Toni Jensen’s stories, the past is very much the present. Theirs are American Indian lives off the reservation, lives lived beyond the usual boundaries set for American Indian characters: migratory, often overlooked, yet carrying tradition with them into a future of difference and possibility. Drawing on American Indian oral traditions and her own Métis upbringing, Jensen tells stories that mix many lives and voices to offer fleeting perspectives on a world that reconfigures the tragedy and disconnection often found in narratives of American Indian life. A brother falls off the roof of an abandoned hotel, a young bride tries to connect with a family she’s never met, and an adopted teenage girl seeks acceptance where she is viewed as an outsider. The reader also encounters a kidnapped nephew, strangers in a hotel, and even a stray dog: these are the souls that populate Jensen’s stories, finding tentative connections with the past, the future, one another, and finally us.Synopsis
For the characters we meet in Toni Jensen’s stories, the past is very much the present. Theirs are American Indian lives off the reservation, lives lived beyond the usual boundaries set for American Indian characters: migratory, often overlooked, yet carrying tradition with them into a future of difference and possibility.
Drawing on American Indian oral traditions and her own Métis upbringing, Jensen tells stories that mix many lives and voices to offer fleeting perspectives on a world that reconfigures the tragedy and disconnection often found in narratives of American Indian life. A brother falls off the roof of an abandoned hotel, a young bride tries to connect with a family she’s never met, and an adopted teenage girl seeks acceptance where she is viewed as an outsider. The reader also encounters a kidnapped nephew, strangers in a hotel, and even a stray dog: these are the souls that populate Jensen’s stories, finding tentative connections with the past, the future, one another, and finally us.
Publishers Weekly
The rich array of characters in Jensen’s sobering collection are often Native Americans with one foot in an unforgiving white world and the other in the vanishing Native culture. The young protagonist of “Butter,” admiring the butter sculptures at the Minnesota State Fair, is a Blackfoot girl from the Blood Reserve in Alberta later adopted by a white couple. When a melee breaks out, she finds comforting words for the distressed Dairy Queen that obliterate the ideas each of them has about the other. “At the Powwow Hotel” is an extraordinary, mystical tale: corn has begun reappearing in ancestral cornfields, attracting a migration of Indians and allowing a recent widower and his son to find new purpose in running their West Texas hotel. The title story, chronicling an accident involving a group of drinking kids that leaves one with a life-threatening injury, offers, via a clever use of repetition, a regretful litany of complaints endured as the cost of assimilation into white culture. These stories are as much about tradition as they are about the now; Jensen’s understated and powerful prose easily bridges that divide. (Mar.)
Editorials
Sandra Cisneros
“Welcome to the West as seen by the folks who shop at K-Mart and work picking up tips and cleaning motels. This is a portrait of America told with truth and love, tales at once funny as they are tragic. Toni Jensen writes from her heart.”—Sandra Cisneros, author of CarameloStephen Graham Jones
“At first you’ll wish you had written these stories yourself, then you’ll suspect you feel that way because you maybe lived them, they’re that real, but by the end you’ll be thrilled just to have entered the world of Toni Jensen’s fiction. This is an important debut, one that stays with you. Expect more from her.”—Stephen Graham Jones, author of Bleed into MeHigh Country News
"From the Hilltop is a fine debut, an example of the way that lightning can strike for a talented writer like Jensen, illuminating a portal to that place from which all good stories come. If readers are fortunate, that lightning will strike again."—Kurt Caswell, High Country News
— Kurt Caswell
Multi Cultural Review
"Recommended for all short story collections, Jensen's stories will bring pleasure and inspire thought for many readers."—Andy J. Deering, Multi Cultural Review
— Andy J. Deering
Feminist Review -
"The choice of words, whether for descriptions, dialogue, or inner reflection, is impeccable. Jensen is a powerful, gifted writer who has crafted characters for whom this reader felt deeply."—Lisa Rand, Feminist ReviewHigh Country News -
"From the Hilltop is a fine debut, an example of the way that lightning can strike for a talented writer like Jensen, illuminating a portal to that place from which all good stories come. If readers are fortunate, that lightning will strike again."—Kurt Caswell, High Country NewsMulti Cultural Review -
"Recommended for all short story collections, Jensen's stories will bring pleasure and inspire thought for many readers."—Andy J. Deering, Multi Cultural ReviewSandra Cisneros
"Welcome to the West as seen by the folks who shop at K-Mart and work picking up tips and cleaning motels. This is a portrait of America told with truth and love, tales at once funny as they are tragic. Toni Jensen writes from her heart."-Sandra Cisneros, author of Caramelo
Stephen Graham Jones
"At first you'll wish you had written these stories yourself, then you'll suspect you feel that way because you maybe lived them, they're that real, but by the end you'll be thrilled just to have entered the world of Toni Jensen's fiction. This is an important debut, one that stays with you. Expect more from her."-Stephen Graham Jones, author of Bleed into Me
Feminist Review
"The choice of words, whether for descriptions, dialogue, or inner reflection, is impeccable. Jensen is a powerful, gifted writer who has crafted characters for whom this reader felt deeply."—Lisa Rand, Feminist Review
— Lisa Rand