Overview
"Gehry Talks: Architecture + Process documents all of his new work of this decade, tracing his evolution from a southern California architect known for his idiosyncratic use of materials and collaboration with local artists, to an international figure whose fluid, hitherto undreamt-of forms surge beyond the aesthetic and technical constraints of the twentieth century. From the titanium-wrapped curves of the Guggenheim Bilbao to the binocular facade of the Chiat-Day Headquarters in California, his innovative structural ideas evoke a sense of freedom and spontaneity while, at the same time, displaying the utmost control. Unbound by guidelines of symmetry or the grid's delineation, his structures spring forth, engaged in a seemingly limitless play of ideas - ever-changing in both the multitudinous combinations of shapes suggested by the form and the depth of the conceptual associations implied by the design. Fish and snake motifs birl upon his buildings' rippling surfaces, while light follows the asymmetrical trajectories of their metallic folds. Though controversial and daring, his works always possess an elegance that lends warmth and humane scope to each project, regardless of the level of innovation - as evinced in contexts as varying as the complicated, and unrealized, plan of the Lewis House in Lyndhurst, Ohio, or the clarity of the idea behind the Ustra office building in Hannover, Germany." This illustrated presentation features twenty-four projects, including the Chiat-Day Headquarters in Venice, California; the Team Disneyland Administration Building in Anaheim, California; the Vitra Furniture Museum and Factory in Weil am Rhein, Germany; and the Guggenheim Museum in Bilbao, Spain. The book features insightful essays by editor Mildred Friedman and architecture critic Michael Sorkin, as well as photographs of buildings that have been completed since the publication of the original volume.Synopsis
"Gehry Talks: Architecture + Process documents all of his new work of this decade, tracing his evolution from a southern California architect known for his idiosyncratic use of materials and collaboration with local artists, to an international figure whose fluid, hitherto undreamt-of forms surge beyond the aesthetic and technical constraints of the twentieth century. From the titanium-wrapped curves of the Guggenheim Bilbao to the binocular facade of the Chiat-Day Headquarters in California, his innovative structural ideas evoke a sense of freedom and spontaneity while, at the same time, displaying the utmost control. Unbound by guidelines of symmetry or the grid's delineation, his structures spring forth, engaged in a seemingly limitless play of ideas - ever-changing in both the multitudinous combinations of shapes suggested by the form and the depth of the conceptual associations implied by the design. Fish and snake motifs birl upon his buildings' rippling surfaces, while light follows the asymmetrical trajectories of their metallic folds. Though controversial and daring, his works always possess an elegance that lends warmth and humane scope to each project, regardless of the level of innovation - as evinced in contexts as varying as the complicated, and unrealized, plan of the Lewis House in Lyndhurst, Ohio, or the clarity of the idea behind the Ustra office building in Hannover, Germany." This illustrated presentation features twenty-four projects, including the Chiat-Day Headquarters in Venice, California; the Team Disneyland Administration Building in Anaheim, California; the Vitra Furniture Museum and Factory in Weil am Rhein, Germany; and the Guggenheim Museum in Bilbao, Spain. The book features insightful essays by editor Mildred Friedman and architecture critic Michael Sorkin, as well as photographs of buildings that have been completed since the publication of the original volume.